1
Kyrie Deus creator omnium (Movement 1 of Missa Nobilis et pulchra)[6’16]Walter Frye (d1475)
2
Gloria (Movement 2 of Missa Nobilis et pulchra)[6’27]Walter Frye (d1475)
3
En Katerine solennia / Virginalis concio / Sponsus amat sponsam[2’46]Thomas[?] Byttering (fl c1410-1420)
4
Gloria ‘Virgo flagellatur'[6’30]Anonymous – Renaissance
5
Nobilis et pulchra[1’57]Anonymous – liturgical
6
Credo (Movement 3 of Missa Nobilis et pulchra)[6’07]Walter Frye (d1475)
7
Gaude virgo Katherina[4’26]John Dunstaple (c1390-1453)
8
Sanctus and Benedictus ‘Regnum mundi'[4’46]Robert[?] Driffelde (fl1424-1468)
9
Virgo flagellatur[2’48]Anonymous – liturgical
10
Agnus Dei ‘Eructavit cor meum'[5’02]Robert[?] Driffelde (fl1424-1468)
11
Sanctus and Benedictus (Movement 4 of Missa Nobilis et pulchra)[6’25]Walter Frye (d1475)
12
Agnus Dei (Movement 5 of Missa Nobilis et pulchra)[6’09]Walter Frye (d1475)
13
Salve scema sanctitatis / Salve salus servulorum / Cantant celi agmina laudes[6’34]John Dunstaple (c1390-1453)
A poignant, poetic evocation of the conjectural life and death of Saint Katherine: there is a natural sympathy between The Binchois Consort’s programme and the accompanying illustrations of alabaster from the fifteenth and twenty-first centuries.