Monsterrat Figueras
By the early seventies, the need for a clear break with romantic tradition had been established, and it was now obvious that vocal Early Music needed a new stylistic and technical approach to vocal performance, similar to the one that was already being applied to its instrumental counterpart. This was the time when a few young singers involved in this search began to attract the attention of both critics and the general audience, and amongst them Montserrat Figueras soon rose to be acclaimed as one of the most fascinating exponents of this new attitude.
CD1
1. Médée – Sénèque: I. Nunc iam cessit pontus
2. Anon. Berbère: Berceuse Amazigh
3. Anon. Sépharade: Palestina hermoza y Santa
4. L. Milán: Triste estaba muy quexosa
5. F. Guerrero (Attribué à): Si la noche haze escura
6. A. Mudarra: Isabel, perdiste la tu faxa
7. C. Di Rore/Bovicelli: Anchor che co’l partire
8. L. de Vega/Anonyme: Como retumban los remos!
9. T. L. de Victoria: Salve, Regina à 8
10. C. Monteverdi: Lamento della ninfa
11. G. Caccini: Con le luci d’un bel ciglio
12. T. Merula: Hor ch’è tempo di dormire
13. J. Hidalgo: Ay que me río de amor
14. S. Durón: Sosieguen descansen
15. J.F. Reichardt: Dors mon enfant
16. F. Sor: Ti ricordi che giurasti
17. F. Sor: Las Mujeres y cuerdas
18. M.P. Musorgsky: Avec la poupée
19. A. Pärt: Berceuse de Noël
CD2
1. Anon. Séfardite: Por que llorax blanca niña
2. Alfonso X El Sabio: Sibila Galaica (extrait)
3. Comtessa de Dia: A chantar m’er de so
4. El Misteri d’Elx: O arbre sanct
5. Anon.(CMC) s. XV: Niña y viña
6. Anon./L. de NarvaeZ: Con qué la lavaré
7. Anon.(CMC) s. XV: Yo me soy la morenica
8. T.L. de Victoria: Ne timeas, Maria (a 4)
9. L. Luzzaschi: Aura soave
10. C. Monteverdi: Si dolce è il tormento
11. G. Caccini: Alme luci beate
12. T. Merula: Sentirete una canzonetta
13. J. Marín: No piense Menguilla ya
14. J. Hidalgo: Trompicávalas amor
15. Trad. Catalan/J.Savall: El Fill del rei
16. J. Cererols: Hei mihi
17. M. de Falla: Duérmete, niño, duerme
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