Fantastic Cencic – Even in an age of thrilling countertenors, Max Emanuel Cencic stands out for the heroic scale and brilliance of his voice, his expansive lyricism, and his imagination and enterprise in choice of repertoire. Cencic has excelled as both a soprano and a mezzo-soprano, and Fantastic Cencic showcases his extraordinary interpretative range – from the great and lesser-known masters of the Baroque to the bel canto of Rossini and composers of the Romantic era from Schubert to Strauss. The third of these three CDs comprises recordings from the early 1990s, shortly after Cencic left the Wiener Sängerknaben, which are released here for the first time.
Semiramide – Gaetano Rossi: Atto I – Eccomi Alfine in Babilonia… Ah, Quel Giorno Arsace – Max Emanuel Cencic/Orchestre de Chambre de Lausanne/Michael Hofstetter
Semiramide – Gaetano Rossi: Atto II – in Si Barbara Sciagura* Arsace/Coro – Max Emanuel Cencic/Choeur ‘Le Motet’/Orchestre de Chambre de Lausanne/Michael Hofstetter
La Donna Del Lago – Andrea Leone Tottola: Atto I – Mura Felici Malcolm – Max Emanuel Cencic/Orchestre de Chambre de Lausanne/Michael Hofstetter
Tancredi – Gaetano Rossi: Atto I – Oh Patria! Dolce E Ingrate Patria Tancredi – Max Emanuel Cencic/Orchestre de Chambre de Lausanne/Michael Hofstetter
Aureliano in Palmira: Atto II – Perche Mai Le Luci Apprimo Arsace – Max Emanuel Cencic/Orchestre de Chambre de Lausanne/Michael Hofstetter
Merope – Act III: Sposa… Non Mi Conosci – Max Emanuel Cencic/Il Pomo D’oro/Riccardo Minasi
Flavio Anicio Olibrio – Act I: Dolce Mio Ben, Mia Vita – Max Emanuel Cencic/Il Pomo D’oro/Riccardo Minasi
La Costanza Combattuta in Amore – Act III: Mormorando Quelle Fronde – Max Emanuel Cencic/Il Pomo D’oro/Riccardo Minasi
Adriano in Siria – Act III: Barbaro Non Comprendo – Max Emanuel Cencic/Il Pomo D’oro/Riccardo Minasi
La Verità in Cimento, RV 739 – Act I: Mi Vuoi Tradir Lo So – Max Emanuel Cencic/Il Pomo D’oro/Riccardo Minasi
Gelido in Ogni Vena – Diego Fasolis
Gemo in Un Punto E Fremo – Diego Fasolis
Sorge L’irato Nembo – I Barocchisti
Ezio, Atto Secondo, Scena I-III: Aria : Dubbioso Amante – Sonia Prina/Ann Hallenberg/Max Emanuel Cencic/Topi Lehtipuu/Mayuko Karasawa/Julian Pregardien/Il Complesso Barocco/Alan Curtis
Ezio, Atto Primo, Scena I: Aria: Se Tu la Reggi Al Volo – Sonia Prina/Ann Hallenberg/Max Emanuel Cencic/Topi Lehtipuu/Mayuko Karasawa/Julian Pregardien/Il Complesso Barocco/Alan Curtis
Faramondo, HMV 39, Act 1: Scene XVII: Aria. Se Ben Mi Lusinga (Faramondo) – Max Emanuel Cencic/I Barocchisti/Diego Fasolis
Faramondo, HMV 39, Act 3: Scene V: Aria. Voglio Che Sia L’indegno (Faramondo) – Max Emanuel Cencic/I Barocchisti/Diego Fasolis
Faramondo, HMV 39, Act 3: Scene Ultima:Rec. Figlia, Di Faramondo (Gustavo, Rosimonda, Faramondo)-Aria. Virtù Che Rende (Faramondo, Coro) – Max Emanuel Cencic/Marina de Liso/In-Sung Sim/Coro Della Radio Svizzera/I Barocchisti/Diego Fasolis
Fernando, Re Di Castiglia, Atto Primo, Scena VI: Aria: “Si, Si Minaccia” Sancio – Alan Curtis
Arianna in Creta: Salda Quercia, Inerta Balza – Max Emanuel Cencic/Diego Fasolis/I Barocchisti
Imeneo HWV 41 (1740) : Sorge Nell’alma Mia – Max Emanuel Cencic/Diego Fasolis/I Barocchisti
Floridante HWV 14 (1721) : Alma Mia – Max Emanuel Cencic/Diego Fasolis/I Barocchisti
Tamerlano HWV 18 (1724) : Benché Mi Sprezzi – Max Emanuel Cencic/Diego Fasolis/I Barocchisti
Amadigi Di Gaula HWV 11 (1715) : Pena Tiranna – Max Emanuel Cencic/Diego Fasolis/I Barocchisti
Schubert: Schwanengesang, D. 957: IV. Ständchen – Max Emanuel Cencic
Schubert: Schwanengesang, D. 957: X. Das Fischermädchen – Max Emanuel Cencic
Schubert: Schwanengesang, D. 957: XIV. Die Taubenpost – Max Emanuel Cencic
Schubert: Rosamunde, D. 797: III. Romanze – Max Emanuel Cencic
Schubert: Die Vögel, D. 691 – Max Emanuel Cencic
Mendelssohn: 6 Gesänge, Op. 19A: IV. Neue Liebe – Max Emanuel Cencic
Mendelssohn: 6 Gesänge, Op. 19A: VI. Bei Der Wiege – Max Emanuel Cencic
Mendelssohn: 6 Lieder, Op. 71: VI. Nachtlied – Max Emanuel Cencic
Mahler: Lieder Und Gesänge Aus Der Jugendzeit, Book 3: XI. Ablösung Im Sommer – Max Emanuel Cencic
Mahler: Lieder Und Gesänge Aus Der Jugendzeit, Book 1: III. Hans Und Grete – Max Emanuel Cencic
Schumann: Liederkreis, Op. 39: V. Mondnacht – Max Emanuel Cencic
Schumann: Myrthen, Op. 25: I. Widmung – Max Emanuel Cencic
Schubert: Der Hirt Auf Dem Felsen, D. 965 – Max Emanuel Cencic
Strauss, R: 8 Gedichte Aus ‘Letzte Blätter’, Op. 10: III. Die Nacht – Max Emanuel Cencic
Strauss, R: 4 Lieder, Op. 27: II. Cäcilie – Max Emanuel Cencic
Strauss, R: 8 Gedichte Aus ‘Letzte Blätter’, Op. 10: I. Zueignung – Max Emanuel Cencic
Handel: Sammlung Von Gesängen, Book 1: No. 38 Let the Bright Seraphim (Samson) – Max Emanuel Cencic
Fauré: Requiem, Op. 48: IV. Pie Jesu – Max Emanuel Cencic
Bach, JS: St John Passion, BWV 245, Part 2: No. 63 “Zerfliesse Mein Herze” (Soprano) – Max Emanuel Cencic
Verdi: Un Ballo in Maschera, Act 3: “Saper Vorreste Di Che Si Veste” (Oscar) – Max Emanuel Cencic
Schumann: Myrthen, Op. 25: III. Der Nussbaum – Max Emanuel Cencic
Schubert: Die Forelle, D. 550 – Max Emanuel Cencic
Strauss, J: Frühlingsstimmen, Op. 410 – Max Emanuel Cencic
| PERFORMER | Max Emanuel Cencic |
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