1
Prelude in D minor[8’35]
2
Allemande in D minor[2’11]
3
Courante in D minor[2’15]
4
Sarabande in D minor[2’59]
5
Gavotte in D minor[1’03]
6
Canaries in D minor[1’07]
7
Chaconne in D minor[3’40]
8
Allemande Grave in F major[3’12]
9
Chaconne in F major[3’34]
10
Chaconne ou Passacaille in G minor[4’49]
SUITE IN G MINOR
11
Allemande in G minor[3’50]
12
Courante in G minor[2’25]
13
Sarabande in G minor[2’06]
14
Gigue in C minor[2’16]
15
Passacaille in G minor[5’53]
16
Tombeau de Mr de Blancrocher[8’48]
SUITE IN A MAJOR
17
Prelude in A major[3’13]
18
Courante in A major[1’45]
19
Sarabande in A major[2’33]
20
Sarabande in A minor[3’09]
21
Gigue in A major[1’41]
22
Pavanne in F sharp minor[7’56]
Equally well-suited to the demands of the French Baroque as to the high Romanticism of Tchaikovsky and Chopin, Pavel Kolesnikov’s attentive musicianship yields predictably revelatory results in the music of Louis Couperin.