1
Ave verum corpus[4’28]
Afflicti pro peccatis nostris[5’08]
2
Afflicti pro peccatis nostris[3’27]
3
Ut eruas nos a malis[1’41]
Mass for five voices[22’39]
4
Kyrie[1’26]
5
Gloria in excelsis Deo[1’55]
6
Domine Deus, Agnus Dei[3’08]
Tristitia et anxietas[10’21]
7
Tristitia et anxietas[6’23]
8
Sed tu Domine[3’58]
Mass for five voices[22’39]
9
Credo in unum Deum[2’22]
10
Qui propter nos homines[3’20]
11
Et in Spiritum Sanctum[3’33]
Ave Maria[1’55]
12
Ave Maria, gratia plena[1’08]
13
Alleluia[0’47]
Mass for five voices[22’39]
14
Sanctus[1’09]
15
Pleni sunt caeli[1’02]
16
Benedictus[1’29]
17
Circumdederunt me[4’55]
Mass for five voices[22’39]
18
Agnus Dei I & II[1’44]
19
Agnus Dei III[1’31]
Emendemus in melius[4’04]
20
Emendemus in melius[2’19]
21
Adiuva nos Deus[1’45]
De lamentatione Jeremiae prophetae ‘Lamentations'[12’43]
22
De lamentatione Jeremiae prophetae[2’03]
23
Heth[0’48]
24
Cogitavit Dominus[1’41]
25
Teth[1’12]
26
Defixae sunt in terra portae eius[1’36]
27
Jod[0’51]
28
Sederunt in terra[1’58]
29
Jerusalem, Jerusalem[2’34]
In a selection of motets woven affectingly throughout the glorious five-part Mass, The Gesualdo Six perfectly captures all the power and tenderness of Byrd’s compositional voice.