Ludwig van Beethoven: Cantate auf die Erhebung Leopold des
Zweiten zur Kaiserwurde, WoO88
Deborah Voigt; Elizabeth Futral; Krista Bennion Feeney; Jan Opalach;
Vagabond Children’s Ensemble; Gregory Cross; Robert Bass, conductor;
Orchestra of St. Luke’s; The Collegiate Chorale
1. I. Recitative for Soprano and Chorus: Er Schlummert
2. II. Aria for Soprano and Chorus: Fliesse, Wonnezah
3. III. Recitative for Bass: Ihr staunt, Volker der Erde!
4. IV. Recitative for Tenor: Wie bebt mein Herz vor Wonne!
5. V. Trio for Soprano, Tenor, and Bass: Ihr, die Joseph ihren Vater nannten
6. VI. Chorus: Heil! Heil! Sturzet nieder
Hector Berlioz: Requiem, Op.5 (Grand Messe des Morts)
University of Utah Civic Chorale; University of Utah A Capella Choir;
Charles Bressler; Utah Symphony Orchestra; Maurice Abravanel, conductor
7. I. Requiem et Kyrie – Introitus
8. II. Dies irae – Prosa, Tuba mirum
9. III. Quid sum miser
10. IV. Rex tremendae
11. V. Quaerens me
12. VI. Lacrymosa
13. VII. Offertorium
14. VIII. Hostias
15. IX. Sanctus
16. X. Agnus dei
Gabriel Faure: Requiem, Op.48
Orchestra of Saint Luke’s; St. Thomas Choir of Men and Boys;
Gerre Hancock, conductor
17. I. Introït et Kyrie
18. II. Offertoire
19. III. Sanctus
20. IV. Pie Jesu
21. V. Agnus Dei
22. VI. Libera Me
23. VII. In Paradisum
Franz Joseph Haydn: Mass No.10 in C Major
“Missa in tempore belli” (Hob.XXII:9)
Netania Davrath; Hilde Rössl-Majdan; Anton Dermota; Walter Berry; Vienna State Opera Orchestra; Vienna State Opera Chamber Choir; Mogens Wöldike, conductor
24. I. Kyrie: Largo – Allegro moderato
25. II. Gloria: Vivace
26. III. Gloria: Adagio
27. IV. Gloria: Allegro
28. V. Credo: Allegro
29. VI. Credo: Adagio
30. VII. Credo: Allegro
31. VIII. Credo: Vivace
32. IX. Sanctus: Adagio
33. X. Sanctus: Allegro con spirito
34. XI. Benedictus: Andante
35. XII. Agnus Dei: Adagio
36. XIII. Agnus Dei: Allegro con spirit
Ludwig van Beethoven: Der glorreiche Augenblick, Op.136
Deborah Voigt; Elizabeth Futral; Jan Opalach; Vagabond Children’s Ensemble;
Gregory Cross; Robert Bass, conductor; Orchestra of St. Luke’s;
The Collegiate Chorale
37. I. Chorus: Europa steht!
38. II. Recitative: O seht sie nach und näher treten! Air: Sweet Music, Gently Throu My Senses Steal; Chorus: Vienna, Vienna, Vienna
39. III. Aria with Chorus: Alle dei Herrscher darf ich grüssen
40. IV. Recitative: O Himmel, welch’ Entzücken! Cavatina with chorus: Dem die erste Zähre; Recitative: Das Auge schaut.
41. V. Recitative: Der den Bund in Sturme festgehalten; Quartet: In meinen Mauern bauen sich neue Zeiten
42. VI. Chorus: Es treten vor die Scharen der Frauen
Hector Berlioz: Messe Solennelle, H20
Rosa Lamoreaux; Terry Cook; Gene Tucker;
Washington National Cathedral Choral Society; J. Reilly Lewis, conductor
43. I. Introduction
44. II. Kyrie
45. III. Gloria
46. IV. Gratias
47. V. Quoniam
48. VI. Credo
49. VII. Incarnatus
50. VIII. Crucifixus
51. IX. Resurrexit
52. X. Motet pour l’Offertoire – Quis similis tui
53. XI. Sanctus
54. XII. O Salutaris
55. XIII. Agnus Dei
56. XIV. Domine Salvum
Luigi Cherubini: Missa Solemnis in D Minor
Patricia Wells; Maureen Forrester; George Shirley; Justino Diaz; Lou Ann Lee; Richard Shadley; Newell Jenkins; Clarion Concerts Orchestra; Clarion Concerts Chorus
57. I. Kyrie eleison
58. II. Christe eleison
59. III. Kyrie eleison
60. IV. Gloria
61. V. Gratias
62. VI. Qui tollis peccata mundi
63. VII. Quoniam tu solus sanctus
64. VIII. Cum sancto Spiritu
65. IX. Credo
66. X. Et incarnatus est
67. XI. Crucifixus
68. XII. Et resurrexit
69. XIII. Et in Spiritum Sanctum
70. XIV. Amen
71. XV. Sanctus
72. XVI. Hosanna in excelsis
73. XVII. Benedictus
74. XVIII. Hosanna in excelsis
75. XIX. Agnus Dei
George Frideric Handel: Samson, oratorio, HWV 57
Jan Peerce; Kenly Whitelock; Phyllis Curtin; Jean Preston; Louise Parker; Malcolm Smith; Roy Samuelsen; Kenly Whitelock; Utah Symphony Orchestra; Maurice Abravanel, conductor; University of Utah Symphonic Chorale; Newell Weight
76. Act 1. Sinfonia. Andante, Pomposo – Allegro – Menuetto
77. Act 1. Recitative. This day, a solemn feast. / Chorus. Awake the trumpet’s lofty sound!
78. Act 1. Aria. Ye men of Gaza
79. Act 1. Chorus. Awake the trumpet’s lofty sound
80. Act 1. Aria. Loud as the thunder’s awful voice
81. Act 1. Recitative. Why by an angel was my birth foretold. / Aria. Torments, alas, are not confined
82. Act 1. Recitative. O change beyond report. / Recitative. Whom have I to complain of but myself
83. Act 1. Aria. Total eclipse!
84. Act 1. Chorus. Oh first created beam!
85. Act 1. Recitative. Brethren and men of Dan
86. Act 1. Aria. Thy glorious deeds inspir’d my tongue
87. Act 1. Recitative. Justly these evils have befallen thy son. / Aria. Why does the God of Israel sle
88. Act 1. Recitative. There lies our hope! / Chorus. Then shall they know
89. Act 1. Recitative. For thee, my dearest son. / Recitative. My genial spirits droop
90. Act 1. Chorus. Then round about the starry throne
91. Act 2. Recitative. My evils hopeless are!
92. Act 2. Aria. Return, return, Oh God of hosts!
93. Act 2. Recitative. But who is this that so bedecked and gay
94. Act 2. Aria. With plaintive notes and amorous moan
95. Act 2. Recitative. Did love constrain thee? / Recitative. Forgive what’s done
96. Act 2. Duet and Chorus. My faith and truth
97. Act 2. Aria. To fleeting pleasures make your court
98. Act 2. Recitative. Ne’er think of that! / Duet. Traitor to love! / Recitative. She’s gone!
99. Act 2. Favored of heaven is he / Chorus. To man God’s universal law
100. Act 2. Recitative. No works of peace
101. Act 2. Aria. Honour and arms scorn such a foe
102. Act 2. Recitative. Cam’st thou for this / Duet. Go, baffled coward, go
103. Act 2. Recitative. Here lies the proof. / Chorus. Hear, Jacob’s God
104. Act 2. Recitative. Dagon, arise! / Chorus. To song and dance
105. Act 2. Chorus. Fixed in his everlasting seat
106. Act 3. Recitative. More trouble is behind. / Aria. Presuming slave
107. Act 3. Recitative. Reflect then / Chorus. With thunder arm’d great God, Arise!
108. Act 3. Recitative. Be of good courage / Aria. Thus when the sun from his watery bed
109. Act 3. Recitative. With might endued above the sons of men / Aria. The Holy One of Israel be thy gu
110. Act 3. Recitative. Old Manoah with youthful steps / Recitative. I come, my brethren / Aria. Great D
111. Act 3. Recitative. What noise of joy was that? / Aria. How willing my paternal love
112. Act 3. Recitative. Your hopes of his delivery seem not vain / Sinfonia / Recitative. Heaven! what n
113. Act 3. Recitative. Noise call you this?
114. Act 3. Aria. Ye sons, of Israel, now lament / Chorus. Weep, Israel
115. Act 3. Funeral march
116. Act 3. Recitative. The body comes / Chorus. Glorious hero, may thy grave
117. Act 3. Recitative. Come, come, no time for lamentation now / Aria. Let the bright Seraphim
118. Act 3. Chorus. Let their celestial concerts all unite
Johann Nepomuk Hummel: Mass in B-flat Major, Op.77
Westchester Oratorio Choir; New Brunswick Chamber Orchestra;
John Eric Floreen, conductor
119. I. Kyrie
120. II. Gloria
121. III. Credo
122. IV. Sanctus
123. V. Benedictus
124. Johann Nepomuk Hummel: Tantum Ergo
Westchester Oratorio Choir; New Brunswick Chamber Orchestra; John Eric Floreen, conductor
Franz Joseph Haydn: Missa in angustiis in D Minor, “Lord Nelson” (Hob. XXII:11):
Teresa Stich-Randall; Elisabeth Hoengen; Anton Dermota; Frederick Guthrie; Akademie Kammerchor; Vienna State Opera Orchestra; Mario Rossi, conductor
125. I. Kyrie
126. II. Gloria
127. III. Gloria: Qui tollis peccata mundi
128. IV. Gloria: Quoniam tu solus sanctus
129. V. Credo: Credo in unum deum
130. VI. Credo: Et incarnatus est
131. VII. Credo: Et resurrexit
132. VIII. Sanctus
133. IX. Benedictus
134. X. Agnus Dei
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