BACH: Goldberg Variations – Angela Hewitt Hyperion

Goldberg Variations ‘Aria mit verschiedenen Veränderungen’ BWV988[81’58]
1
Aria[4’21]
2
Variation 1: a 1 Clav.[1’42]
3
Variation 2: a 1 Clav.[1’40]
4
Variation 3: Canone all’Unisuono. a 1 Clav.[2’19]
5
Variation 4: a 1 Clav.[1’08]
6
Variation 5: a 1 ô vero 2 Clav.[1’32]
7
Variation 6: Canone alla Secunda. a 1 Clav.[1’56]
8
Variation 7: a 1 ô vero 2 Clav. Al tempo di Giga[2’02]
9
Variation 8: a 2 Clav.[1’54]
10
Variation 9: Canone alla Terza. a 1 Clav.[1’59]
11
Variation 10: Fughetta. a 1 Clav.[1’37]
12
Variation 11: a 2 Clav.[2’08]
13
Variation 12: Canone alla Quarta. a 1 Clav.[2’35]
14
Variation 13: a 2 Clav.[5’01]
15
Variation 14: a 2 Clav.[2’11]
16
Variation 15: Canone alla Quinta. a 1 Clav. Andante[4’49]
17
Variation 16: Ouverture. a 1 Clav.[2’54]
18
Variation 17: a 2 Clav.[2’18]
19
Variation 18: Canone alla Sexta. a 1 Clav.[1’31]
20
Variation 19: a 1 Clav.[1’42]
21
Variation 20: a 2 Clav.[1’56]
22
Variation 21: Canone alla Settima. a 1 Clav.[3’19]
23
Variation 22: a 1 Clav.[1’30]
24
Variation 23: a 1 Clav.[2’13]
25
Variation 24: Canone all’Ottava. a 1 Clav.[3’25]
26
Variation 25: a 2 Clav. Adagio[8’50]
27
Variation 26: a 2 Clav.[2’03]
28
Variation 27: Canone alla Nona. a 2 Clav.[1’52]
29
Variation 28: a 2 Clav.[2’15]
30
Variation 29: a 1 ô vero 2 Clav.[2’31]
31
Variation 30: Quodlibet. a 1 Clav.[2’00]
32
Aria da capo[2’45]

Sixteen years have passed since Angela Hewitt’s first, justly celebrated, version of the ‘Goldbergs’. She here commits to record her ever-evolving response to a work which contains the ‘shadowed lesson of the whole world’, and which continues to play a central role in her life as an artist.