This box set comprises all the operas and sacred works Otto Klemperer conducted for EMI Columbia and HMV. Oratorios by Bach, Beethoven, Brahms and Handel are accompanied by operas of Beethoven, Mozart and Wagner. There are also rehearsals and listening playback sessions for the recording of Mozart’s Don Giovanni and a Bonus CD with recollections from artists who sang in Klemperer’s opera performances. Otto Klemperer deeply loved both the theatricality of opera and the spirituality of oratorios, and these performances from his great Indian Summer represent the fruits of his lifetime of thought and experience in this repertoire.
Johann Sebastian Bach
Matthäus-Passion, BWV 244 [Rec. 1960-1961]
Baritone Vocals [Jesus] – Dietrich Fischer-Dieskau
Baritone Vocals [Judas] – John Carol Case
Baritone Vocals [Pilatus, High Priest, Priest] – Otakar Kraus
Baritone Vocals [Priest] – Geraint Evans
Bass-Baritone Vocals [Arias] – Walter Berry
Cello – Raymond Clark
Choir – Boys Of The Hampstead Parish Church Choir
Chorus – Philharmonia Chorus
Chorus Master [Boys of the Hampstead Parish Church Choir] – Martindale Sidwell
Chorus Master [Philharmonia Chorus] – Wilhelm Pitz
Composed By – Johann Sebastian Bach
Conductor – Otto Klemperer
Double Bass – James Merrett
Engineer [Balance] – Douglas Larter
Flute – Arthur Ackroyd, Gareth Morris (2)
Harpsichord – George Malcolm, Viola Tunnard
Mezzo-soprano Vocals [Arias] – Christa Ludwig
Oboe – Sidney Sutcliffe
Oboe Da Caccia – Peter Newbury
Oboe d’Amore – Sidney Sutcliffe
Orchestra – Philharmonia Orchestra
Organ – Ralph Downes
Producer – Walter Jellinek, Walter Legge
Soprano Vocals [Arien, First Maid, Pilate’s Wife] – Elisabeth Schwarzkopf
Soprano Vocals [Second Maid, Witness] – Helen Watts
Tenor Vocals [Arias] – Nicolai Gedda
Tenor Vocals [Evangelist] – Peter Pears
Tenor Vocals [Witness] – Wilfred Brown
Viola da Gamba – Desmond Dupré
Violin – Bela Dekany, Hugh Bean
1-1 Part 1. No. 1. Chorus: “Kommt, Ihr Töchter, Helft Mir Klagen”
1-2 Part 1. No. 2. Recitative: “Da Jesus Diese Rede Vollendet Hatte” (Evangelist, Jesus)
1-3 Part 1. No. 3. Chorale: “Herzliebster Jesu, Was Hast Du Verbrochen”
1-4 Part 1. No. 4a. Recitative: “Da Versammleten Sich Die Hohenpriester” (Evangelist)
1-5 Part 1. No. 4b. Chorus: “Ja Nicht Auf Das Fest” 0:18
1-6 Part 1. No. 4c. Recitative: “Da Nun Jesus War Zu Bethanien” (Evangelist) 0:41
1-7 Part 1. No. 4d. Chorus: “Wozu Dienet Dieser Unrat” 0:35
1-8 Part 1. No. 4e. Recitative: “Da Das Jesus Merkete” (Evangelist, Jesus) 1:53
1-9 Part 1. No. 5. Recitative: “Du Lieber Heiland Du” (Alto) 1:05
1-10 Part 1. No. 6. Aria: “Buß Und Reu” (Alto) 4:51
1-11 Part 1 No. 7. Recitative: “Da Ging Hin Der Zwölfen Einer” (Evangelist, Judas) 0:46
1-12 Part 1. No. 8. Aria: “Blute Nur, Du Liebes Herz” (Soprano) 5:13
1-13 Part 1. No. 9a. Recitative: “Aber Am Ersten Tage Der Süßen Brot” (Evangelist) 0:14
1-14 Part 1. No. 9b. Chorus: “Wo Willst Du, Dass Wir Dir Bereiten” (Chorus I) 0:25
1-15 Part 1. No. 9c. Recitative: “Er Sprach … Und Sie Wurden Sehr Betrübt … Herr, Bin Ich’s” (Evangelist, Jesus, Chorus) 2:03
1-16 Part 1. No. 10. Chorale: “Ich Bins, Ich Sollte Büßen” 1:34
1-17 Part 1. No. 11. Recitative: “Er Antwortete Und Sprach” (Evangelist, Jesus, Judas) 3:58
1-18 Part 1. No. 12. Recitative: “Wiewohl Mein Herz In Tränen Schwimmt” (Soprano) 1:32
1-19 Part 1. No. 13. Aria: “Ich Will Dir Mein Herze Schenken” (Soprano) 4:03
1-20 Part 1. No. 14. Recitative: “Und Da Sie Den Lobgesang Gesprochen Hatten” (Evangelist, Judas) 1:24
1-21 Part 1. No. 15. Chorale: “Erkenne Mich, Mein Hüter” 1:51
1-22 Part 1. No. 16. Recitative: “Petrus Aber Antworteteund Sprach Zu Him” (Evangelist, Petrus, Jesus) 1:19
1-23 Part 1. No. 17. Chorale: “Ich Will Hier Bei Dir Stehen” 1:53
1-24 Part 1. No. 18. Recitative: “Da Kam Jesus Mit Ihnen Zu Einem Hofe” (Evangelist, Jesus) 2:07
1-25 Part 1. No. 19. Recitative & Chorus: “O Schmerz! Hier Zittert Das Gequälte Herz” (Tenor, Chorus II) 3:06
1-26 Part 1. No. 20. Aria: “Ich Will Bei Meinem Jesu Wachen” 6:15
1-27 Part 1. No. 21. Recitative: “Und Ging Hin Ein Wenig” (Evangelist, Jesus) 0:54
1-28 Part 1. No. 22. Recitative: “Der Heiland Fällt Vor Seinem Vater Nieder” (Bass) 1:21
1-29 Part 1. No. 23. Aria: “Gerne Will Ich Mich Bequemen” (Bass) 6:35
1-30 Part 1. No. 24. Recitative: “Und Er Kam Zu Seinen Jüngern” (Evangelist, Jesus) 1:35
1-31 Part 1. No. 25. Chorale: “Was Mein Gott Will, Das G’scheh Allzeit” 2:08
2-1 Part 1. No. 26. Recitative: “Und Er Kam Und Fand Sie Aber Schlafend” (Evangelist, Jesus, Judas) 3:06
2-2 Part 1. No. 27 Duet & Chorus: “So Ist Mein Jesus Nun Gefangen” (Soprano, Alto, Chorus) 5:59
2-3 Part 1. No. 28. Recitative: “Und Siehe, Einer Aus Denen, Die Mit Jesu Waren” (Evangelist, Jesus) 2:47
2-4 Part 1. No. 29. Chorale: “O Mensch, Bewein Dein Sünde Groß”
2-5 Part 2. No. 30. Aria: “Ach, nun ist mein Jesus hin” (Alto)
2-6 Part 2. No. 31. Recitative: “Die Aber Jesum Gegriffen Hatten” (Evangelist) 1:09
2-7 Part 2. No. 32. Chorale: “Mir Hat Die Welt Trüglich Gericht” 1:29
2-8 Part 2. No. 33. Recitative: “Und Wiewohl Viel Falsche” (Evangelist, Witnesses, High Priest) 1:25
2-9 Part 2. No.34. Recitative: “Mein Jesus Schweigt Zu Falschen Lügen Stille” (Tenor) 1:01
2-10 Part 2. No. 35. Aria: “Geduld! Geduld! ” (Tenor) 4:54
2-11 Part 2. No. 36a. Recitative And Chorus: “Und Der Hohepriester Antwortete … Er Ist Todes Schuldig!” (Evangelist, High Priest, Jesus, Chorus) 2:03
2-12 Part 2. No. 36c. Recitative And Chorus: “Da Speieten Sie In Sein Angesicht … Weissage Uns, Christe” (Evangelist, Chorus) 0:47
2-13 Part 2. No. 37. Chorale: “Wer Hat Dich So Geschlagen” 1:36
2-14 Part 2. No. 38a Recitative And Chorus: “Petrus Aber Saß Draußen Im Palast … Wahrlich, Du Bist Auch Einer von Denen” (Evangelist, Maids, Petrus, Chorus II) 1:23
2-15 Part 2. No. 38c. Recitative: “Da Hub Er An Sich Zu Verfluchen” (Evangelist, Petrus) 1:32
2-16 Part 2. No. 39. Aria: “Erbarme Dich” (Alto) 7:23
2-17 Part 2. No. 40. Chorale: “Bin Ich Gleich von Dir Gewichen” 1:38
2-18 Part 2. No. 41a. Recitative And Chorus: “Des Morgens Aber Hielten … Was Gehet Uns Das An?” (Evangelist, Judas, Chorus) 1:18
2-19 Part 2. No. 41c. Recitative: “Und Er Warf Die Silberlinge” (Evangelist, High Priests) 0:54
2-20 Part 2. No. 42. Aria: “Gebt Mir Meinen Jesum Wieder” (Bass) 4:11
2-21 Part 2. No. 43. Recitative: “Sie Hielten Aber Einen Rat” (Evangelist, Pilatus, Jesus) 2:35
2-22 Part 2. No. 44. Chorale: “Befiehl Du Deine Wege” 1:58
2-23 Part 2. No. 45. Recitative And Chorus: “Auf Das Fest Aber Hatte Der Landpflegert” (Evangelist, Pilatus, Pilatus’wife, Chorus) 2:50
2-24 Part 2. No. 46. Chorale: “Wie Wunderbarlich Ist Doch Diese Strafe” 1:24
2-25 Part 2. No. 47. Recitative: “Der Landpfleger Sagte” (Evangelist, Pilatus) 0:14
2-26 Part 2. No. 48. Recitative: “Er Hat Uns Allen Wohlgetan” (Soprano) 1:20
2-27 Part 2. No. 49. Aria: “Aus Liebe Will Mein Heiland Sterben” (Soprano) 4:47
3-1 Part 2. No. 50. Recitative And Chorus: “Sie Schrieen Aber Noch Mehr … Lass Ihn Kreuzigen” (Evangelist, Chorus, Pilatus) 2:40
3-2 Part 2. No. 51. Recitative: “Erbarm Es Gott! Hier Steht” (Alto) 1:25
3-3 Part 2. No. 52. Aria: “Können Tränen Meiner Wangen” (Alto) 9:41
3-4 Part 2. No. 53. Recitative And Chorus: “Da Nahmen Die Kriegsknechte … Gegrüßet Seist Du” (Evangelist, Chorus) 1:15
3-5 Part 2. No. 54. Chorale: “O Haupt Voll Blut Un Wunden” 3:16
3-6 Part 2. No. 55. Recitative: “Und Da Sie Ihn Verspottet Hatten” (Evangelist) 1:08
3-7 Part 2. No. 56. Recitative: “Ja Freilich Will In Uns Das Fleisch Und Blut” (Bass) 0:44
3-8 Part 2. No. 57. Aria: “Komm, Süßes Kreuz, So Will Ich Sagen” (Bass) 6:39
3-9 Part 2. No. 58a. Recitative And Chorus: “Und Da Sie An Die Stätte … Der Du Den Tempel Gottes Zerbrichst” (Evangelist, Chorus) 4:24
3-10 Part 2. No. 58c. Recitative And Chorus: “Desgleichen Auch Die Hohenpriester … Andern Hat Er Geholfen” (Evangelist, Chorus) 0:18
3-11 Part 2. No. 59. Recitative: “Ach Golgatha, Unselges Golgotha” (Alto) 1:35
3-12 Part 2. No. 60. Aria: “Sehet, Jesus Hat Die Hand” (Alto, Chorus II) 4:38
3-13 Part 2. No. 61. Recitative And Chorus: “Und von Der Sechsten Stunde … Der Rufet Dem Elias!” (Evangelist, Jesus, Chorus) 2:52
3-14 Part 2. No. 62. Chorale: “Wenn Ich Einmal Soll Scheiden” 2:19
3-15 Part 2. No. 63. Recitative And Chorus: “Und Siehe Da, Der Vorhang … Wahrlich, Dieser Ist Gottes Sohn” (Evangelist, Chorus) 3:05
3-16 Part 2. No. 64. Recitative: “Am Abend, Da Es Kühle War” (Bass) 2:36
3-17 Part 2. No. 65. Aria: “Mache Dich, Mein Herze, Rein” (Bass) 10:20
3-18 Part 2. No. 66. Recitative And Chorus: “Und Joseph Nahm … Herr, Wir Haben Gedacht” (Evangelist, Pilatus, Chorus) 3:23
3-19 Part 2. No. 67. Recitative With Chorus: “Nun Ist Der Herr Zur Ruh Gebracht” (Bass, Tenor, Alto, Soprano, Chorus II) 2:21
3-20 Part 2. No. 68. Chorus: “Wir’ Setzen Uns Mit Tränen Nieder” 8:07
Johannes Brahms
Ein Deutsches Requiem, Op. 45
Baritone Vocals – Dietrich Fischer-Dieskau
Chorus – Philharmonia Chorus
Chorus Master – Rheinhold Schmid*
Composed By – Johannes Brahms
Conductor – Otto Klemperer
Engineer [Balance] – Douglas Larter
Orchestra – Philharmonia Orchestra
Organ – Ralph Downes
Producer – Walter Legge
Soprano Vocals – Elisabeth Schwarzkopf
4-1 I. Selig Sind, Die Da Leid Tragen (Ziemlich Langsam Und Mir Ausdruck) 9:57
4-2 Ii. Denn Alles Fleisch Es Ist Wie Gras (Langsam, Marschmassig – Un Poco Sostenuto – Allegro Non Troppo) 14:28
4-3 III. Herr, Lehre Doch Mich (Andante Moderato) 9:52
4-4 IV. Wie Lieblich Sind Deine Wohnungen (Massig Bewegt) 5:48
4-5 V. Ihr Habt Nun Traurigkeit (Langsam) 6:54
4-6 VI. Denn Wir Haben Hie Keine Bleibende Statt (Andante – Vivace -Allegro) 11:44
4-7 VII. Selig sind die Toten, die in dem Herren sterben (Feierlich) 10:17
Johann Sebastian Bach
Mass In B Minor, BWV 232 – Choruses
Chorus – Philharmonia Chorus
Chorus Master – John McCarthy
Composed By – Johann Sebastian Bach
Conductor – Otto Klemperer
Engineer [Balance] – Douglas Larter
Orchestra – Philharmonia Orchestra
Producer – Suvi Raj Grubb, Walter Legge
5-1 I. Kyrie: “Kyrie Eleison I” 13:26
5-2 III. Kyrie: “Kyrie Eleison II” 4:21
5-3 IV. Gloria: “Gloria In Excelsis Deo” 7:33
5-4 VI. Gloria: “Gratias Agimus Tibi” 3:15
5-5 VIII. Gloria: “Qui Tollis Peccata Mundi” 3:21
5-6 XII. Credo: “Credo In Unum Deum” 2:57
5-7 XIII. Credo: “Patrem Omnipotentem” 2:19
5-8 XV. Credo: “Et Incarnatus Est” 3:14
5-9 XVI. Credo: “Crucifixus” 4:36
5-10.1 XIX. Credo: “Confiteor Unum Baptisma – 8:10
5-10.2 XX. Credo: “Et Expecto Resurrectionem”
5-11 XXI. Sanctus: Sanctus 6:22
5-12 XXII. Sanctus: “Osanna In Excelsis” 3:43
5-13 XXVI. Agnus Dei: “Dona Nobis Pacem” 3:24
5-14 Otto Klemperer And The Philharmonia Chorus In Rehearsal 10:39
Ludwig van Beethoven
Fidelio, Op. 72
Baritone Vocals [2nd Prisoner] – Raymond Wolansky
Bass Vocals [Don Fernando] – Franz Crass
Bass Vocals [Rocco] – Gottlob Frick
Bass-Baritone Vocals [Don Pizarro] – Walter Berry
Chorus – Philharmonia Chorus
Chorus Master – Wilhelm Pitz
Composed By – Ludwig van Beethoven
Conductor – Otto Klemperer
Engineer [Balance] – Douglas Larter
Mezzo-soprano Vocals [Leonore] – Christa Ludwig
Orchestra – Philharmonia Orchestra
Producer – Walter Legge
Soprano Vocals [Marzelline] – Ingeborg Hallstein
Tenor Vocals [1st Prisoner] – Kurt Wehofschitz
Tenor Vocals [Florestan] – Jon Vickers
Tenor Vocals [Jaquino] – Gerhard Unger
6-1 Overture 6:56
6-2 Act I. Duet: “Jetzt, Schätzchen, Jetzt Sind Wir Allein” (Jaquino, Marzelline) 4:54
6-3 Act I. Recitative: “Der Arme Jaquino Dauert Mich Beinahe” (Marzelline) 0:14
6-4 Act I. Aria: “O Wär’ Ich Schon Mit Dir Vereint” (Marzelline) 4:04
6-5 Act I. Recitative: “Guten Tag, Marzelline. Ist Fidelio Noch Nicht Zurück?” (Rocco, Marzelline, Leonore) 1:10
6-6 Act I. Quartet: “Mir Ist So Wunderbar” (Marzelline, Leonore, Rocco, Jaquino) 4:38
6-7 Act I. Recitative: “Höre, Fidelio, Weißt Du, Was Ich Tue?” (Rocco, Marzeline) 0:18
6-8 Act I. Aria: “Hat man nicht auch Gold beineben” (Rocco) 2:53
6-9 Act I. Recitative: “Ihr Könnt Das Leicht Sagen, Meister Rocco” (Leonore, Rocco, Marzelline) 2:21
6-10 Act I. Trio: “Gut, Söhnchen, Gut, Hab Immer Mut” (Rocco, Leonore, Marzelline) 2:32
6:11 Act I. Trio: “Der Gouverneur…der Gouverneur Soll Heut’ Erlauben” (Rocco, Leonore, Marzelline) 1:48
6-12 Act I. Trio: “Nur Auf Der Hut, Dann Geht Es Gut” (Rocco, Marzelline, Leonore) 2:49
6-13 Act I. March 2:19
6-14 Act I. Recitative: “Wo Sind Die Depeschen?” (Pizarro, Rocco) 0:53
6-15 Act I. Aria With Chorus: “Ha! Welch Ein Augenblick!” (Pizarro, Chorus) 3:38
6-16 Act I. Recitative: “Hauptmann, Besteigen Sie Mit Einem Trompeter Sogleich Den Turm” (Pizarro, Rocco) 0:34
6-17 Act I. Duet: “Jetzt, Alter, Jetzt Hat Es Eile!” (Pizarro, Rocco) 5:25
6-18 Act I. Recitative And Aria: “Abscheulicher! Wo Eilst Du Hin?” (Leonore) 2:11
6-19 Act I. Recitative and Aria: “Komm, Hoffnung, laß den letzten Stern” (Leonore) 6:06
6-20 Act I. Recitative: “Rocco, Ihr Verspracht Mir So Oft” (Leonore, Marzelline, Rocco) 0:46
6-21 Act I. Finale: “O welche Lust!” (Chorus) 3:02
6-22 Act I. Finale: “Wir Wollen Mit Vertrauen Auf Gottes Hülfe Bauen” (Two Prisoners, Chorus) 4:18
6-23 Act I. Finale: “Nun Sprecht, Wie Ging’s?” (Leonore, Rocco) 5:30
6-24 Act I. Finale: “Ach! Vater, Eilt!” (Marzelline, Rocco, Jaquino, Leonore) 0:47
6-25 Act I. Finale: “Verwegener Alter” (Pizarro, Rocco) 1:56
6-26 Act I: Finale: “Leb Wohl, Du Warmes Sonnenlicht” (Chorus, Marzelline, Leonore, Jaquino, Pizarro, Rocco) 4:21
7-1 Act II, Scene 1. Introduction 3:32
7-2 Act II, Scene 1. Aria: “Gott! Welch’ Dunkel Hier!” (Florestan) 2:16
7-3 Act II, Scene 1. Aria: “In des Lebens Frühlingstagen” (Florestan) 2:33
7-4 Act II, Scene 1. Aria: “Und Spür’ Ich Nicht Linde” (Florestan) 2:32
7-5 Act II, Scene 1. Recitative: “Wie Kalt Ist Es” (Leonore, Rocco) 1:59
7-6 Act II, Scene 1. Duet: “Nur Hurtig Fort, Nur Frisch Gegraben” (Leonore, Rocco) 4:55
7-7 Act II, Scene 1. Recitative: “Er erwacht!” (Leonore, Rocco, Florestan) 2:37
7-8 Act II, Scene 1. Trio: “Euch Werde Lohn In Bessern Welten” (Florestan, Rocco, Leonore) 6:48
7-9 Act II Scene 1. Recitative: “Alles Ist Bereit” (Rocco, Leonore, Florestan, Pizarro) 0:47
7-10 Act II Scene 1. Quartet: “Er Sterbe!” (Pizarro, Florestan, Leonore, Rocco) 3:50
7-11 Act II Scene 1. Recitative: “Vater Rocco!” (Jaquino, Rocco) 0:21
7-12 Act II Scene 1. Recitative: “Es Schlägt Der Rache Stunde!” (Leonore, Florestan, Pizarro, Rocco) 1:27
7-13 Act II Scene 1. Duet: “O Namenlose Freude!” (Leonore, Florestan) 3:13
7-14 Act II Scene 2. Finale: “Heil Sei Dem Tag” (Chorus) 2:23
7-15 Act II Scene 2. Finale: “Des Besten Königs Wink Und Wille” (Don Fernando, Chorus) 1:41
7-16 Act II Scene 2. Finale: “Wohlan! So Helfet, Helft Den Armen!” (Rocco, Pizarro, Don Fernando, Leonore, Marzelline, Chorus) 2:37
7-17 Act II Scene 2. Finale: “Du Schlossest Auf Des Edlen Grab” (Don Fernando) 0:57
7-18 Act II Scene 2. Finale: “O Gott! O Welch Ein Augenblick!” (Leonore, Florestan, Don Fernando, Marzelline, Rocco, Chorus) 2:54
7-19 Act II Scene 2. Finale: “Wer Ein Holdes Weib Errungen” (Chorus, Florestan, Leonore, Marzelline, Jaquino, Don Fernando, Rocco) 4:18
George Friedric Handel
Messiah, Oratorio HWV 56
Bass Vocals – Jerome Hines
Chorus – Philharmonia Chorus
Chorus Master – Wilhelm Pitz
Composed By – George Friedric Handel*
Conductor – Otto Klemperer
Contralto Vocals – Grace Hoffman
Engineer [Balance] – Douglas Larter
Orchestra – Philharmonia Orchestra
Producer – Walter Legge
Soprano Vocals – Elisabeth Schwarzkopf
Tenor Vocals – Nicolai Gedda
8-1 Part I. Sinfony: Grave – Allegro Moderato 4:33
8-2 Part I. Accompagnato: “Comfort Ye, My People” (tenor) 3:30
8-3 Part I. Air: “Ev’ry Valley Shall Be Exalted” (tenor) 4:02
8-4 Part I. Chorus: “And The Glory Of The Lord” 3:22
8-5 Part I. Accompagnato: “Thus Saith The Lord Of Hosts” (bass) 1:50
8-6 Part I. Air: “But Who May Abide” (bass) 5:34
8-7 Part I. Chorus: “And He Shall Purify” 2:51
8-8 Part I. Recitative: “Behold, A Virgin Shall Conceive” (mezzo-soprano) 0:29
8-9 Part I. Air: “O Thou That Tellest” (mezzo-soprano) 5:35
8-10 Part I. Chorus: “O Thou That Tellest” 2:28
8-11 Part I. Accompagnato: “For Behold, Darkness Shall Cover The Earth” (bass) 2:48
8-12 Part I. Air: “The People That Walked” (bass) 4:27
8-13 Part I. Chorus: “For Unto Us A Child Is Born” 4:38
8-14 Part I. Pifa: Larghetto E Mezzo Piano 3:57
8-15 Part I. Recitative & Accompagnato: “There Were Shepherds” (soprano) 1:34
8-16 Part I. Chorus: “Glory To God In The Highest” 2:17
8-17 Part I. Air: “Rejoice Greatly” (soprano) 5:00
8-18 Part I. Recitative: “Then Shall The Eyes Of The Blind Be Open’d” (alto) 0:29
8-19 Part I. Air: “He Shall Feed His Flock” (soprano) 5:28
8-20 Part I. Chorus: “His Yoke Is Easy” 2:48
9-1 Part II. Chorus: “Behold The Lamb Of God” 3:32
9-2 Part II. Air: “He Was Despised” (alto) 10:07
9-3 Part II. Chorus: “Surely He Hath Borne Our Griefs” 2:49
9-4 Part II. Chorus: “And With His Stripes” 1:51
9-5 Part II. Chorus: “All We Like Sheep” 4:13
9-6 Part II. Accompagnato: “All They That See Him, Laugh Him To Scorn” (tenor) 1:03
9-7 Part II. Chorus: “He Trusted In God” 2:43
9-8 Part II: Accompagnato: “Thy Rebuke Hath Broken His Heart” (tenor) 1:44
9-9 Part II. Arioso: “Behold, And See” (tenor) 1:43
9-10 Part II. Accompagnato: “He Was Cut Off” (tenor) 0:28
9-11 Part II. Aria: “But Thou Didst Not Leave” (tenor) 2:55
9-12 Part II. Chorus: “Lift Up Your Heads” 3:20
9-13 Part II. Chorus: “The Lord Gave The Word” 1:11
9-14 Part II. Air: “How Beautiful Are The Feet” (soprano) 2:22
9-15 Part II. Chorus: “Their Sound Is Gone Out” 1:36
9-16 Part II. Air: “Why Do The Nations” (bass) 3:18
9-17 Part II. Chorus: “Let Us Break Their Bonds” 1:59
9-18 Part II. Recitative: “He That Dwelleth In Heaven” (tenor) 0:16
9-19 Part II. Air: “Thou Shalt Break Them With A Rod Of Iron” (tenor) 2:16
9-20 Part II. Chorus: “Hallelujah!” 4:14
9-21 Part III. Air: “I Know That My Redeemer Liveth” (soprano) 6:08
9-22 Part III. Chorus: “Since By Man Came Death” 1:57
9-23 Part III. Accompagnato: “Behold, I tell you a mystery” (bass) 0:32
9-24 Part III. Air: “The trumpet shall sound” (bass) 4:19
9-25 Part III. Chorus: “Worthy Is The Lamb” 3:47
9-26 Part III. Chorus: “Amen” 3:23
Wolfgang Amadeus Mozart
Die Zauberflöte, Opera In Two Acts, K.620 (Without Spoken Dialogue)
Bass Vocals [2nd Armed Man, 2nd Priest] – Franz Crass
Bass Vocals [Sarastro] – Gottlob Frick
Bass-Baritone Vocals [Papageno] – Walter Berry
Chorus – Philharmonia Chorus
Chorus Master – Wilhelm Pitz
Composed By – Wolfgang Amadeus Mozart
Conductor – Eugene Ormandy
Contralto Vocals [Third Lady] – Marga Höffgen
Engineer [Balance] – Robert Gooch
Libretto By – Emanuel Schikaneder
Mezzo-soprano Vocals [2nd Boy] – Anna Reynolds
Mezzo-soprano Vocals [3rd Boy] – Josephine Veasey
Mezzo-soprano Vocals [Second Lady] – Christa Ludwig
Narrator [Speaker] – Franz Crass
Orchestra – Philharmonia Orchestra
Producer – Suvi Raj Grubb
Soprano Vocals [1st Boy] – Agnes Giebel
Soprano Vocals [First Lady] – Elisabeth Schwarzkopf
Soprano Vocals [Pamina] – Gundula Janowitz
Soprano Vocals [Papagena] – Ruth-Margret Pütz
Soprano Vocals [Queen of the Night] – Lucia Popp
Tenor Vocals [1st Armed Man] – Karl Liebl
Tenor Vocals [Monostatos, 1st Priest] – Gerhard Unger
Tenor Vocals [Tamino] – Nicolai Gedda
10-1 Overture 7:17
10-2 Act 1. “Zu Hilfe! Zu Hilfe!” (Tamino, Ladies) 6:54
10-3 “Der Vogelfänger Bin Ich Ja” (Papageno) 2:43
10-4 “Dies Bildnis Ist Bezaubernd Schön” (Tamino) 4:11
10-5 “O Zitt’re Nicht, Mein Lieber Sohn!” (Queen Of The Night) 5:13
10-6 “Hm! Hm! Hm! Hm!” (Papageno, Tamino, Ladies) 6:47
10-7 “Du Feines Täubchen, Nur Herein!” (Monostatos, Pamina, Papageno) 1:55
10-8 “Bei Männern, Welche Liebe Fühlen” (Pamina, Papageno) 3:32
10-9 “Zum Ziele Führt Dich Diese Bahn” (Boys, Tamino, Voice, Speaker, Voices) 10:05
10-10 “Wie Stark Ist Nicht Dein Zauberton” (Tamino) 2:54
10-11 “Schnelle Füße, Rascher Mut” (Pamina, Papageno, Monostatos, Slaves) 2:35
10-12 “Könnte Jeder Brave Mann” (Pamina, Papageno) 0:40
10-13 “Es Lebe Sarastro!” (Attendants, Papageno, Pamina, Sarastro) 5:05
10-14 “Nun, Stolzer Jüngling; Nur Hierher!” (Monostatos, Pamina, Tamino, Attendants, Sarastro) 3:37
11-1 Marsch Der Priester (Orchestra) 4:08
11-2 “O Isis Und Osiris” (Sarastro, Priests) 3:16
11-3 “Bewahret Euch Vor Weibertücken” (Two Priests) 1:07
11-4 “Wie? Wie? Wie?” (Ladies, Papageno, Tamino, Initiates) 3:22
11-5 “Alles Fühlt Der Liebe Freuden” (Monostatos) 1:23
11-6 “Der Hölle Rache Kocht In Meinem Herzen” (Queen Of The Night) 3:10
11-7 “In Diesen Heil’gen Hallen” (Sarastro) 4:49
11-8 “Seid Uns Zum Zweiten Mal Willkommen” (Boys) 1:53
11-9 “Ach, Ich Fühl’s” (Pamina) 4:08
11-10 “O Isis und Osiris” (Priests) 3:12
11-11 “Soll Ich Dich, Teurer” (Pamina, Sarastro, Tamino) 3:16
11-12 “Ein Mädchen Oder Weibchen” (Papageno) 4:16
11-13 “Bald Prangt, Den Morgen Zu Verkünden” (Boys, Pamina) 6:22
11-14 “Der, Welcher Wandelt Diese Straße Voll Beschwerden” (Armed Men, Tamino, Pamina) 5:14
11-15 “Tamino Mein! O Welch Ein Glück” (Armed Men, Tamino, Pamina) 7:00
11-16 “Papagena!” (Papageno, Boys) 5:36
11-17 “Pa-pa-gena! … Pa-pa-geno!” (Papageno, Papagena) 2:49
11-18 “Nur Stille!” (Monostatos, Queen Of The Night, Ladies) 2:11
11-19 “Die Strahlen Der Sonne” (Sarastro, Chorus) 3:03
Ludwig van Beethoven
Missa Solemnis In D Major, Op. 123
Bass Vocals – Martti Talvela
Chorus – New Philharmonia Chorus
Chorus Master – Wilhelm Pitz
Composed By – Ludwig van Beethoven
Conductor – Otto Klemperer
Contralto Vocals – Marga Höffgen
Engineer [Balance] – Robert Gooch
Orchestra – New Philharmonia Orchestra
Producer – Peter Andry
Soprano Vocals – Elisabeth Söderström
Tenor Vocals – Waldemar Kmentt
12-1 Kyrie. Kyrie 9:24
12-2 Gloria. Gloria In Excelsis Deo 5:19
12-3 Gloria. Qui Tollis 5:43
12-4 Gloria. Quoniam Tu Solus Sanctus 7:18
12-5 Credo. Credo In Unum Deum 4:17
12-6 Credo. Et Incarnatus Est 5:17
12-7 Credo. Et Resurrexit 11:04
12-8 Sanctus. Sanctus 5:29
12-9 Sanctus. Benedictus 10:19
12-10 Agnus Dei. Agnus Dei 6:04
12-11 Agnus Dei. Dona Nobis Pacem 9:10
Wolfgang Amadeus Mozart
Don Giovanni, Opera In Two Acts, K.527
Bass Vocals [Commendatore] – Franz Crass
Bass Vocals [Don Giovanni] – Nicolai Ghiaurov
Bass-Baritone Vocals [Leporello] – Walter Berry
Bass-Baritone Vocals [Masetto] – Paolo Montarsolo
Chorus – New Philharmonia Chorus
Chorus Master – Wilhelm Pitz
Composed By – Wolfgang Amadeus Mozart
Conductor – Otto Klemperer
Engineer [Balance] – Robert Gooch
Harpsichord – Henry Smith (4)
Libretto By – Lorenzo da Ponte
Mezzo-soprano Vocals [Donna Elvira] – Christa Ludwig
Orchestra – New Philharmonia Orchestra
Producer – Peter Andry, Suvi Raj Grubb
Soprano Vocals [Donna Anna] – Claire Watson
Soprano Vocals [Zerlina] – Mirella Freni
Tenor Vocals [Don Ottavio] – Nicolai Gedda
13-1 Sinfonia 6:32
13-2 Act I Scene 1. Introduction: “Notte E Giorno Faticar” (Leporello) 1:57
13-3 Act I Scene 1. “Non Sperar, Se Non M’uccidi” (Donna Anna, Don Giovanni, Leporello) 1:37
13-4 Act I Scene 1. “Lasciala, indegno!” (Commendatore, Don Giovanni, Leporello) 2:57
13-5 Act I Scene 1. Recitative: “Ma qual mai s’offre” (Donna Anna, Don Ottavio) 3:04
13-6 Act I Scene 1. Duet: “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) 4:27
13-7 Act I Scene 2. “Orsù, Spicciati Presto” (Don Giovanni, Leporello) 1:23
13-8 Act I Scene 2. Aria: “Ah, Chi Mi Dice Mai” (Donna Elvira, Don Giovanni, Leporello) 3:33
13-9 Act I Scene 2. Recitative: “Chi è Là?” (Donna Elvira, Don Giovanni, Leporello) 2:47
13-10 Act I Scene 2. Aria: “Madamina, Il Catalogo è Questo” (Leporello) 6:31
13-11 Act I Scene 3. Chorus: “Giovinette Che Fate All’amore” (Zerlina, Coro, Masetto) 1:33
13-12 Act I Scene 3. Recitative: “Manco Male è Partita” (Don Giovanni, Leporello, Zerlina, Masetto) 1:56
13-13 Act I Scene 3. Aria: “Ho Capito, Signor Sì!” (Masetto) 1:45
13-14 Act I Scene 3. Recitative: “Alfin Siam Liberate” (Don Giovanni, Zerlina) 1:50
13-15 Act I Scene 3. Duettino: “Là Ci Darem la Mano” (Don Giovanni, Zerlina) 3:10
13-16.1 Act I Scene 3. Recitative: “Fermati, Scellerato!” (Donna Elvira, Zerlina, Don Giovanni) 2:14
13-16.2 Act I Scene 3. Aria: “Ah! Fuggi Il Traditor!” (Donna Elvira)
13-17 Act I Scene 3. Recitative: “Mi Par Ch’oggi Il Demonio Si Diverta” 1:13
13-18 Act I Scene 3. Quartet: “Non Ti Fidar, O Misera” (Don Giovanni, Don Ottavio, Donna Anna, Don Elvira) 5:04
13-19 Act I Scene 3. Recitative: “Don Ottavio, Son Morta!” (Donna Anna, Don Ottavio) 3:25
13-20 Act I Scene 3. Aria: “Or Sai Chi L’onore” (Donna Anna) 3:05
13-21.1 Act I Scene 3. Recitative: “Come Mai Creder Deggio” 4:48
13-21.2 Act I Scene 3. Aria: “Dalla Sua Pace” (Donn Ottavio)
13-22 Act I Scene 3. Recitative: “Io Deggio Ad Ogni Patto” (Leporello, Don Giovanni) 1:28
13-23 Act I Scene 3. Aria: “Finch’han Dal Vino” (Don Giovanni) 1:32
14-1 Act I Scene 4. Recitative: “Masetto, Senti Un Po’!” (Zerlina, Masetto) 1:23
14-2 Act I Scene 4. Aria: “Batti, batti, o bel Masetto” (Zerlina) 4:44
14-3 Act I Scene 4. Finale: “Presto, Presto, Pria Ch’ei Venga” (Masetto, Zerlina, Don Giovanni, Chorus) 2:07
14-4 Act I Scene 4. Finale: “Tra Quest’arbori Celata” (Zerlina, Don Giovanni, Masetto) 2:41
14-5 Act I Scene 4. Finale: “Bisogna Aver Coraggio” (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni) 2:32
14-6 Act I Scene 4. Finale: “Protegga Il Giusto Cielo … Vendichi Il Giusto Cielo” (Donna Anna, Don Ottavio, Donna Elvira) 2:20
14-7 Act I Scene 4. Finale: “Riposate, Vezzose Ragazze” (Don Giovanni, Leporello, Masetto, Zerlina) 1:24
14-8 Act I Scene 4. Finale: “Venite pur avanti” (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina) 4:46
14-9 Act I Scene 4. Finale: “Ecco Il Birbo Che T’ha Offesa!” (Don Giovanni, Leporello, Don Ottavio, Donna Anna, Donna Elvira) 1:36
14-10 Act I Scene 4. Finale: “Trema, Trema, O Scellerato!” (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina) 2:21
14-11 Act 2 Scene 1. Duet: “Eh Via, Buffone, Non Mi Seccar!” (Don Giovanni, Leporello) 1:14
14-12 Act 2 Scene 1. Recitative: “Leporello!” … “Signore?” (Don Giovanni, Leporello) 1:53
14-13 Act 2 Scene 1. Trio: “Ah Taci, Ingiusto Core!” (Donna Elvira, Leporello, Don Giovanni) 5:25
14-14 Act 2 Scene 1. Recitative: “Amico, Che Ti Par?” (Don Giovanni, Leporello, Donna Elvira) 1:56
14-15 Act 2 Scene 1. Canzonetta: “Deh Vieni Alla Finestra” (Don Giovanni) 3:14
14-16 Act 2 Scene 1. Aria: “Meta di Voi Qua Vadano” (Don Giovanni) 3:20
14-17 Act 2 Scene 1. Recitative: “Zitto, Lascia Ch’io Senta!” (Don Giovanni, Masetto, Zerlina) 2:03
14-18 Act 2 Scene 1. Aria: “Vedrai, Carino, Se Sei Buonino” (Zerlina) 3:46
14-19.1 Act 2 Scene 2. Recitative: “Di Molte Faci Il Lume” (Leporello, Donna Elvira) 6:36
14-19.2 Act 2 Scene 2. Sextet: “Sola, Sola In Buio Loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
14-20 Act 2 Scene 2. Recitative: “Mille Torbidi Pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) 2:43
14-21 Act 2 Scene 2. Recitative: “Dunque Quello Sei Tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) 3:17
14-22 Act 2 Scene 2. Aria: “Il Mio Tesoro” (Don Ottavio) 5:05
14-23.1 Act 2 Scene 2. Recitative: “In Quali Eccessi, O Numi” (Donna Elvira) 6:11
14-23.2 Act 2 Scene 2. Aria: “Mi tradì, quell’alma ingrata” (Donna Elvira)
15-1 Act 2 Scene 3. Recitative: “Ah, Ah, Ah, Questa E Buona” (Don Giovanni, Leporello, Statue Of Commendatore) 4:29
15-2 Act 2 Scene 4. Duet: “O Statua Gentilissima” (Don Giovanni, Leporello, Statue Ofcommendatore) 3:35
15-3 Act 2 Scene 4. Recitative: “Calmatevi, Idol Mio!” (Don Ottavio, Donna Anna) 0:57
15-4 Act 2 Scene 4. Recitative: “Crudele! Ah No, Mio Bene!” (Donna Anna) 1:42
15-5 Act 2 Scene 4. Aria: “Non Mi Dir, Bell’idol Mio” (Donna Anna) 5:49
15-6 Act 2 Scene 5. Finale: “Già la Mensa E Preparate” (Don Giovanni, Leporello) 5:22
15-7 Act 2 Scene 5. Finale: “L’ultima Prova Dell’amor Mio” (Donna Elvira, Don Giovanni, Leporello) 2:36
15-8 Act 2 Scene 5. Finale: “Che Grido E Questo Mai?” (Don Giovanni, Leporello) 1:25
15-9 Act 2 Scene 5. Finale: “Don Giovanni, A Cenar Teco” (Statue Of Commendatore, Don Giovanni, Leporello, Chorus) 6:02
15-10 Act 2 Scene 5. Finale: “Da Qual Tremore Insolito” (Don Giovanni, Chorus Of Devils, Leporello) 1:18
15-11 Act 2 Scene 5. Epilogue: “Ah, Dov’è Il Perfido?” (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) 1:49
15-12 Act 2 Scene 5. Epilogue: “Or Che Tutti, O Mio Tesoro” (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) 3:11
15-13 Act 2 Scene 5. Epilogue: “Questo è Il Fin” (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) 1:56
Klemperer’s Don Giovanni: Previously Unreleased Rehearsals And Playback Sessions
Klemperer’s Don Giovanni: Behind The Scenes
Conductor – Otto Klemperer
Narrator – Jon Tolansky
Orchestra – New Philharmonia Orchestra
Producer – Jon Tolansky
16-1 Overture – Rehearsal 7:28
16-2 Overture – Rehearsal. 4:08
16-3 First rehearsal and takes 6:03
16-4 Playback 5:18
16-5 Further rehearsals/takes 12:04
16-6 Playback 1:52
16-7 “Don Ottavio “, Son Morta! 18:11
16-8 “Batti , Batti, O Bel Masetto” 4:00
16-9 Playback 5:20
16-10 “Deh, vieni alla finestra” 12:40
Johann Sebastian Bach
Mass In B Minor, BWV 232
Baritone Vocals – Hermann Prey
Bass-Baritone Vocals – Franz Crass
Cello – Raymond Clark
Chorus – BBC Chorus
Chorus Master – Peter Gellhorn
Composed By – Johann Sebastian Bach
Conductor – Otto Klemperer
Double Bass – Gerald Drucker
Engineer [Balance] – Robert Gooch
Flute – Edward Walker, Gareth Morris (2)
Horn – Nicholas Busch
Mezzo-soprano Vocals – Janet Baker
Oboe d’Amore – Michael Winfield, Sidney Sutcliffe
Orchestra – New Philharmonia Orchestra
Organ – Alan Harverson
Producer – Peter Andry, Suvi Raj Grubb
Soprano Vocals – Agnes Giebel
Tenor Vocals – Nicolai Gedda
Violin – Carlos Villa (2)
17-1 I. Kyrie. Kyrie Eleison I (Chorus) 13:39
17-2 II. Kyrie. Christe Eleison (Soprano, Mezzo-soprano) 6:04
17-3 III. Kyrie. Kyrie Eleison II (Chorus) 4:18
17-4 IV. Gloria. Gloria In Excelsis Deo (Chorus) 7:41
17-5 V. Gloria. Laudamus Te (Mezzo-soprano) 5:22
17-6 VI. Gloria. Gratias Agimus Tibi (Chorus) 3:14
17-7 VII. Gloria. Domine Deus (Soprano, Tenor) 6:33
17-8 VIII. Gloria. Qui Tollis Peccata Mundi (Chorus) 3:29
17-9 IX. Gloria. Qui Sedes Ad Dexteram Patris (Mezzo-soprano) 6:17
17-10 X. Gloria. Quoniam Tu Solus Sanctus (Bass-baritone) 5:50
17-11 XI. Gloria. Cum Sancto Spiritu (Chorus) 4:59
18-1 XII. Credo. Credo In Unum Deum (Chorus) 2:25
18-2 XIII. Credo. Patrem Omnipotentem (Chorus) 2:09
18-3 XIV. Credo. Et In Unum Dominum (Soprano, Mezzo-soprano) 5:37
18-4 XV. Credo. Et Incarnatus Est (Chorus) 3:24
18-5 XVI. Credo. Crucifixus (Chorus) 4:51
18-6 XVII. Credo. Et Resurrexit (Chorus) 4:59
18-7 XVIII. Credo. Et In Spiritum Sanctum Dominum (Baritone) 7:01
18-8 XIX. Credo. Confiteor Unum Baptisma – (Chorus) 4:14
18-9 XX. Credo. Et Expecto Resurrectionem (Chorus) 4:52
18-10 XXI. Sanctus. Sanctus (Chorus) 6:12
18-11 XXII. Sanctus. Osanna In Excelsis (Chorus) 3:20
18-12 XXIII. Sanctus. Benedictus (Tenor) 5:39
18-13 XXIV. Sanctus. Osanna In Excelsis (Chorus) 3:24
18-14 XXV. Agnus Dei. Agnus Dei (Mezzo-soprano) 6:30
18-15 XXVI. Agnus Dei. Dona Nobis Pacem (Chorus) 3:30
Richard Wagner
Der Fliegende Holländer, Opera In Three Acts (original 1843 Dresden Version)
Bass Vocals [Daland] – Martti Talvela
Bass Vocals [Der Holländer] – Theo Adam
Chorus – BBC Chorus
Chorus Master – Peter Gellhorn
Composed By – Richard Wagner
Conductor – Otto Klemperer
Contralto Vocals [Mary] – Annelies Burmeister
Engineer [Balance] – Allen Stagg, Robert Gooch
Orchestra – New Philharmonia Chorus
Producer – Peter Andry
Soprano Vocals [Senta] – Anja Silja
Tenor Vocals [Der Steuermann] – Gerhard Unger
Tenor Vocals [Erik] – Ernst Kozub
19-1 Overture (Orchestra) 11:30
19-2 Act 1. Scene 1. Introduction. “Hojohe! Hallojo!” (Herrenchor, Daland, Steuermann) 5:25
19-3 Act 1. Scene 1. Introduction. Lied Des Steuermanns: “Mit Gewitter Und Sturm Aus Fernem Meer” (Steuermann) 6:18
19-4 Act 1. Scene 2. Recitative & Aria. “Die Frist Ist Um” (Holländer) 2:52
19-5 Act 1. Scene 2. Recitative & Aria. “Wie Oft In Meeres Tiefsten Schlund” (Holländer) 2:39
19-6 Act 1. Scene 2. Recitative & Aria. “Dich Frage Ich, Gepries’ner Engel Gottes” (Holländer) 2:45
19-7 Act 1. Scene 2. Recitative & Aria. “Nur Eine Hoffnung Soll Mir Bleiben” (Holländer, Herrenchor) 3:12
19-8 Act 1. Scene 3. Scene, Duet & Chorus. “He! Holla! Steuermann!” (Daland, Steuermann) 2:12
19-9 Act 1. Scene 3. Scene, Duet & Chorus. “Weit Komm’ Ich Her” (Holländer, Daland) 1:45
19-10 Act 1. Scene 3. Scene, Duet & Chorus. “Durch Sturm Und Bösen Wind Verschlagen” (Holländer) 2:42
19-11 Act 1. Scene 3. Scene, Duet & Chorus. “Wie Wunderbar! Soll Deinem Wort Ich Glauben?” (Daland, Holländer) 2:39
19-12 Act 1. Scene 3. Scene, Duet & Chorus. “Was Muß Ich Hören?… Hast Du Eine Tochter?” (Daland, Holländer) 2:59
19-13 Act 1. Scene 3. Scene, Duet & Chorus. “Wohl, Fremdling, Hab’ Ich Eine Schöne Tochter” (Daland, Holländer) 2:58
19-14 Act 1. Scene 3. Scene, Duet & Chorus. “Wenn Aus Der Qualen Schreckgewalten” (Daland, Holländer) 2:44
19-15 Act 1. Scene 3. Scene, Duet & Chorus. “Südwind! Südwind!” (Steuermann, Herrenchor, Daland, Holländer) 2:05
19-16 Act 1. Scene 3. Scene, Duet & Chorus. “Mit Gewitter Und Sturm Aus Fernem Meer” (Herren) 2:17
19-17 Act 2. Scene 1. Lied, Scene, Ballade & Chorus. Introduction 2:03
19-18 Act 2. Scene 1. Lied, Scene, Ballade & Chorus. “Summ Und Brumm, Du Gutes Rädchen” (Mädchen, Mary) 4:35
19-19 Act 2. Scene 1. Lied, Scene, Ballade & Chorus.”Du Böses Kind, Wenn Du Nicht Spinnst” (Mary, Mädchen, Senta) 3:25
19-20 Act 2. Scene 1. Lied, Scene, Ballade & Chorus. “O Macht Dem Dummen Lied Ein Ende” (Mary, Mädchen, Senta) 2:06
19-21 Act 2. Scene 1. Lied, Scene, Ballade & Chorus. Senta’s Ballade. I. “Johohoe! … Traft Ihr Das Schiff Im Meere An” (Senta) 3:09
19-22 Act 2. Scene 1. Lied, Scene, Ballade & Chorus. Senta’s Ballade. II. “Bei Bösem Wind Und Sturmes Wut” (Senta, Chor) 2:24
19-23 Act 2. Scene 1. Lied, Scene, Ballade & Chorus. Senta’s Ballade. III. “Vor Anker Alle Sieben Jahr” (Senta) 1:13
20-1 Act 2. Scene 1. Lied, Scene, Ballade & Chorus. “Ach! Wo Weilt Sie” (Mädchen, Senta, Mary, Erik) 3:52
20-2 Act 2. Scene 2. Duet. “Bleib, Senta! Bleib Nur Einen Augenblick!” (Erik, Senta) 0:48
20-3 Act 2. Scene 2. Duet. “Mein Herz, Voll Treue Bis Zum Sterben” (Erik, Senta) 3:36
20-4 Act 2. Scene 2. Duet. “Wie? Zweifelst Du An Meinem Herzen?” (Erik, Senta) 2:24
20-5 Act 2. Scene 2. Duet. “Fühlst Du Den Schmerz, Den Tiefen Gram” (Erik, Senta) 1:58
20-6 Act 2. Scene 2. Duet. “Auf Hohem Felsen Lag Ich Träumend” (Erik, Senta) 3:09
20-7 Act 2. Scene 2. Duet. “Ach Möchtest Du, Bleicher Seemann” (Senta) 1:30
20-8 Act 2. Scene 3. Finale. “Mein Kind, Du Siehst Mich Auf Der Schwelle” (Daland, Senta) 1:51
20-9 Act 2. Scene 3. Finale. Aria: “Mögst Du, Mein Kind, Den Fremden Mann” (Daland) 3:59
20-10 Act 2. Scene 3. Finale. “Doch Keines Spricht” (Daland) 2:57
20-11 Act 2. Scene 3. Duett. “Wie Aus Der Ferne Längst Verganger Zeiten” (Holländer) 3:43
20-12 Act 2. Scene 3. Duett. “Versank Ich Jetzt In Wunderbares Träumen” (Senta, Holländer) 4:15
20-13 Act 2. Scene 3. Duett. “Wirst Du Des Vaters Wahl Nicht Schelten?” (Senta, Holländer) 3:05
20-14 Act 2. Scene 3. Duett. “Du Bist Ein Engel!” (Senta, Holländer) 2:54
20-15 Act 2. Scene 3. Duett. “Ein Heil’ger Balsam Meinen Wunden” (Senta, Holländer) 2:27
20-16 Act 2. Scene 3. Trio. “Verzeiht! Mein Volk Hält Draußen Sich Nicht Mehr” (Daland, Senta, Holländer) 2:23
20-17 Act 3. Zwischenspiel (Orchestra). Scene 1. Chor Der Norwegischen Matrosen & Ensemble: Steermann, Laß Die Wacht!” (Herremchor – Tanz 3:52
20-18 Act 3. Scene 1. Chor Der Norwegischen Matrosen & Ensemble “Mein! Seht Doch An! Sie Tanzen Gar!” (Mädchen, Herren, Steuermann) 6:40
20-19 Act 3. Scene 1. Chor Der Norwegischen Matrosen & Ensemble “Juchhe! Juchhe! Da gibt’s die Fülle!” (Herren, Steuermann) 1:55
20-20 Act 3. Scene 1. Chor Der Norwegischen Matrosen & Ensemble “Johohoe! Johohoe!” (Herren) 4:17
20-21 Act 3. Scene 1. Finale. Duett. “Was Muß Ich Hören! Gott, Was Muß Ich Sehn!” (Erik, Senta) 2:44
20-22 Act 3. Scene 1. Finale. Cavatine. “Willst Jenes Tags Du Nicht Dich Mehr Entsinnen” (Erik) 3:10
20-23 Act 3. Scene 1. Finale. Cavatine “Verloren! Ach, Verloren!” (Holländer, Erik, Senta) 2:50
20-24 Act 3. Scene 1. Finale. Cavatine. “Erfahre Das Geschick, Vor Dem Ich Dich Bewahr’! (Holländer) 1:55
20-25 Act 3. Scene 1. Finale. Cavatine. “Zu Hilfe! Rettet, Rettet Sie!” (Erik, Senta, Daland, Mary, Chor, Holländer) 3:39
Richard Wagner
Die Walküre, Music Drarna In Three Acts (Act 1)
Bass Vocals [Hunding] – Hans Sotin
Composed By – Richard Wagner
Conductor – Otto Klemperer
Engineer [Balance] – Martin Benge, Michael Gray (5)
Orchestra – New Philharmonia Orchestra
Producer – Suvi Raj Grubb
Soprano Vocals [Sieglinde] – Helga Dernesch
Tenor Vocals [Siegmund] – William Cochran
21-1 Act 1. Prelude 4:25
21-2 Act 1. “Wes Herd Dies Auch Sei” (Siegmund, Sieglinde) 8:57
21-3 Act 1. “Einen Unseligen Labtest Du” (Siegmund, Sieglinde) 4:23
21-4 Act 1. “Müd Am Herd Fand Ich Den Mann” (Sieglinde, Hunding, Siegmund) 5:08
21-5 Act 1. “Friedmund Darf Ich Nicht Heißen” (Siegmund, Hunding, Sieglinde) 6:39
21-6 Act 1. “Die So Leidig Los Dir Beschied” (Hunding, Sieglinde, Siegmund) 4:40
21-7 Act 1. “Ich Weiß Ein Wildes Geschlecht” (Hunding) 7:07
21-8 Act 1. “Ein Schwert Verhieß Mir Der Vater” (Siegmund) 5:53
21-9 Act 1. “Schläfst Du, Gast?” (Sieglinde, Siegmund) 7:53
21-10 Act 1. “Winterstürme Wichen Dem Wonnemond” (Siegmund) 3:02
21-11 Act 1. “Du Bist Der Lenz” (Sieglinde) 2:19
21-12 Act 1. “O Süßeste Wonne!” (Siegmund, Sieglinde) 6:58
21-13 Act 1. “Siegmund Heiß Ich!” (Siegmund, Sieglinde) 4:19
Die Walküre, Music Drarna In Three Acts. Act 3: Wotan’s Farewell
Baritone Vocals [Wotan] – Norman Bailey
Composed By – Richard Wagner
Conductor – Otto Klemperer
Engineer [Balance] – Martin Benge, Michael Gray (5)
Orchestra – Philharmonia Orchestra
Producer – Suvi Raj Grubb
22-1 Act 3. “Leb wohl, du kühnes, herrliches Kind!” (Wotan) 5:40
22-2 Act 3. “Der Augen Leuchtendes Paar” (Wotan) 7:49
22-3 Act 3. “Loge, Hör! Lausche Hieher!” (Wotan) 6:14
22-4 Die Walküre, Act 3. The Ride of the Valkyries
Composed By – Richard Wagner
Conductor – Otto Klemperer
Engineer [Balance] – Douglas Larter
Orchestra – Philharmonia Orchestra
Producer – Walter Jellinek, Walter Legge
Wesendonck-Lieder.
Composed By – Richard Wagner
Conductor – Otto Klemperer
Engineer [Balance] – Douglas Larter
Mezzo-soprano Vocals – Christa Ludwig
Orchestra – Philharmonia Orchestra
Producer – Walter Legge
22-5 I. Der Engel 3:34
22-6 II. Stehe Still! 4:02
22-7 III. Im Treibhaus 6:40
22-8 IV. Schmerzen 2:38
22-9 V. Träume 5:02
22-10 Tristan Und Isolde, Act 3. Isoldes Liebestod “Mild Und Leise”
Composed By – Richard Wagner
Conductor – Otto Klemperer
Engineer [Balance] – Douglas Larter
Mezzo-soprano Vocals – Christa Ludwig
Orchestra – Philharmonia Orchestra
Producer – Walter Legge
6:59
Wolfgang Amadeus Mozart
Le Nozze di Figaro, Opera Buffa In Four Acts, K.492
Alto Vocals [Marcellina] – Annelies Burmeister
Baritone Vocals [Count Almavira] – Gabriel Bacquier
Baritone Vocals [Figaro] – Geraint Evans
Bass Vocals [Antonio] – Clifford Grant
Bass Vocals [Bartolo] – Michael Langdon
Choir – John Alldis Choir
Chorus Master – John Alldis
Composed By – Wolfgang Amadeus Mozart
Conductor – Otto Klemperer
Engineer [Balance] – Christopher Parker
Harpsichord – Henry Smith (4)
Libretto By – Lorenzo da Ponte
Mezzo-soprano Vocals [Cherubino] – Teresa Berganza
Orchestra – New Philharmonia Orchestra
Producer – Suvi Raj Grubb
Soprano Vocals [Barbarina] – Margaret Price
Soprano Vocals [Countess Almavira] – Andreas Söderström
Soprano Vocals [Girl 1] – Teresa Cahill
Soprano Vocals [Girl 2] – Kiri Te Kanawa
Soprano Vocals [Susanna] – Reri Grist
Tenor Vocals [Don Basilio] – Werner Hollweg
Tenor Vocals [Don Curzio] – Willi Brokmeier
23-1 Sinfonia 5:15
23-2 Act 1. “Cinque… Dieci… Venti…” (Susanna, Figaro) 3:05
23-3 Act 1. “Cosa Stai Misurando” (Susanna, Figaro) 0:46
23-4 Act 1. “Se A Caso Madama” (Susanna, Figaro) 2:58
23-5 Act 1. “Or Bene: Ascolta E Taci!” (Susanna, Figaro) 2:33
23-6 Act 1. “Se Vuol Ballare” (Figaro) 2:49
23-7 Act 1. “Ed Aspettaste Il Giorno” (Bartolo, Marcellina) 1:02
23-8 Act 1. “La Vendetta, Oh la Vendetta” (Bartolo) 3:52
23-9 Act 1. “Tutto Ancor Non Ho Perso” (Marcellina, Susanna) 0:46
23-10 Act 1. “Via Resti Servita” (Marcellina, Susanna) 2:51
23-11 Act 1. “Va’ Là, Vecchia Pedante” (Susanna, Cherubino) 1:45
23-12 Act 1. “Non So Più Cosa Son, Cosa Faccio” (Cherubino) 3:09
23-13 Act 1. “Ah, Son Perduto!” (Cherubino, Susanna, Count, Basilio) 3:38
23-14 Act 1. “Cosa Sento! Tosto Andate” (Count, Basilio, Susanna) 5:46
23-15 Act 1. “Basilio, In Traccia Tosto” (Count, Susanna, Cherubino, Basilio) 1:07
23-16 Act 1. “Giovani Liete, Fiori Spargete” (Chorus) 1:25
23-17 Act 1. “Cos’è Questa Commedia?” (Count, Figaro, Susanna, Chorus) 2:34
23-18 Act 1. “Evviva!” (Figaro, Susanna, Basilio, Cherubino, Count) 1:13
23-19 Act 1. “Non più andrai” (Figaro) 4:13
23-20 Act 2. “Porgi, Amor” (Countess) 4:24
23-21 Act 2. “Vieni, Cara Susanna” (Countess, Susanna, Figaro) 3:43
23-22 Act 2. “Quanto Duolmi, Susanna” (Countess, Susanna, Cherubino) 1:15
23-23 Act 2. “Voi Che Sapete” (Cherubino) 3:28
23-24 Act 2. “Bravo! Che Bella Voce!” (Countess, Susanna, Cherubino) 1:04
23-25 Act 2. “Venite, Inginocchiatevi” (Susanna) 3:18
23-26 Act 2. “Quante Buffonerie!” (Countess, Susanna, Cherubino, Count) 2:32
23-27 Act 2. “Che Novità!” (Count, Countess) 1:14
23-28 Act 2. “Susanna, Or Via Sortite” (Count, Countess, Susanna) 3:48
23-29 Act 2. “Dunque Voi Non Aprite” (Count, Countess) 1:09
24-1 Act 2. “Aprite, Presto, Aprite” (Susanna, Cherubino) 1:27
24-2 Act 2. “Tutto è Come Il Lasciai” (Count, Countess) 1:19
24-3 Act 2. “Esci Omai, Garzon Malnato” (Count, Countess) 3:12
24-4 Act 2. “Signore! Cos’è Quel Stupore?” (Susanna, Count, Countess) 5:55
24-5 Act 2. “Signori, di Fuori Son Già I Suonatori” (Figaro, Count, Susanna, Countess) 3:53
24-6 Act 2. “Ah! Signor, Signor” – “Cos’è Stato?” (Antonio, Count, Susanna, Countess, Figaro) 6:31
24-7 Act 2. “Voi, Signor, Che Giusto Siete” (Marcellina, Basilio, Bartolo, Susanna, Countess, Figaro, Count) 4:57
24-8 Act 3. “Che Imbarazzo è Mai Questo” (Count, Countess, Susanna) 2:19
24-9 Act 3. “Crudel! Perché Finora” (Count, Susanna) 3:06
24-10 Act 3. “E Perché Fosti Meco” … “Ehi, Susanna, Ove Vai?” (Count, Susanna, Figaro) 0:46
24-11 Act 3. “Hai Già Vinta la Causa! … Vedrò Mentr’io Sospiro” (Count) 5:18
24-12 Act 3. “E Decisa la Lite” (Curzio, Marcellina, Figaro, Count, Bartolo) 1:55
24-13 Act 3. “Riconosci In Questo Amplesso” (Marcellina, Figaro, Bartolo, Curzio, Count, Susanna) 5:46
24-14 Act 3. “Eccovi, O Caro Amico” (Marcellina, Bartolo, Susanna, Figaro) 1:11
24-15 Act 3. “Andiam, Andiam, Bel Paggio” (Barbarina, Cherubino) 0:39
24-16 Act 3. “E Susanna Non Vieni” … “Dove Sono I Bei Momenti” (Countess) 7:22
24-17 Act 3. “Io Vi Dico, Signor” (Antonio, Count) 0:26
24-18 Act 3. “Cosa Mi Narri?” (Countess, Susanna) 0:33
24-19 Act 3. “Sull’aria” (Susanna, Countess) 3:09
24-20 Act 3. “Piegato è Il Foglio” (Susanna, Countess) 0:23
24-21 Act 3. “Ricevete, O Padroncina” (Chorus) 1:28
24-22 Act 3. “Queste Sono, Madama” (Barbarina, Countess, Susanna, Antonio, Count, Cherubino, Figaro) 2:55
24-23 Act 3. “Ecco la Marcia, Andiamo!” (Figaro, Susanna, Count, Countess) 2:10
24-24 Act 3. “Amanti costanti” (Two Girls, Chorus, Count, Figaro) 5:39
25-1 Act 4. “L’ho Perduta, Me Meschina!” (Barbarina) 1:45
25-2 Act 4. “Barbarina, Cos’hai?” (Figaro, Barbarina) 1:16
25-3 Act 4. “Madre! Figlio!” (Figaro, Marcellina) 0:46
25-4 Act 4. “Son Quelli Che Invitasti A Venir” (Basilio, Bartolo, Figaro) 1:23
25-5 Act 4. “In Quegli Anni” (Basilio) 4:55
25-6 Act 4. “Tutto è Disposto … Aprite Un Po’ Quegli Occhi” (Figaro) 4:50
25-7 Act 4. “Signora, Ella Mi Disse” (Susanna, Marcellina, Countess, Figaro) 1:00
25-8 Act 4. “Giunse Alfin Il Momento … Deh Vieni, Non Tardar” (Susanna) 5:37
25-9 Act 4. “Perfida! E In Quella Forma Meco Mentia?” (Figaro, Cherubino, Countess) 0:35
25-10 Act 4. “Pian Pianin, Le Andrò Più Presso” (Cherubino, Countss, Figaro, Susanna) 3:22
25-11 Act 4. “Partito è Alfin L’audace” (Count, Countess, Figaro, Susanna) 3:02
25-12 Act 4. “Tutto è Tranquille E Placido” (Figaro, Susanna) 3:59
25-13 Act 4. “Pace, Pace, Mio Dolce Tesoro” (Figaro, Susanna, Count) 2:11
25-14 Act 4. “Gente, gente, all’armi, all’armi!” (Count, Figaro, Basilio, Curzio, Antonio, Bartolo, Susanna, Barbarina, Cherubino, Marcellina, Countess) 5:17
Wolfgang Amadeus Mozart
Cosl Fan Tutte, Opera In Two Acts, K.588
Baritone Vocals [Guglielmo] – Geraint Evans
Bass Vocals [Don Alfonso] – Hans Sotin
Choir – John Alldis Choir
Chorus Master – John Alldis Choir
Composed By – Wolfgang Amadeus Mozart
Conductor – Otto Klemperer
Engineer [Balance] – Michael Gray (5)
Harpsichord – Otto Freudenthal
Mezzo-soprano Vocals [Dorabella] – Yvonne Minton
Orchestra – New Philharmonia Orchestra
Producer – Suvi Raj Grubb
Soprano Vocals [Despina] – Lucia Popp
Soprano Vocals [Fiordiligi] – Margaret Price
Tenor Vocals [Ferrando] – Luigi Alva
26-1 Overture 4:39
26-2 Act 1. Scene 1. “La Mia Dorabella Capace Non è” (Ferrando, Guglielmo, Don Alfonso) 2:10
26-3 Act 1. Scene 1. “Fuor’ la Spada” (Ferrando, Guglielmo, Don Alfonso) 1:09
26-4 Act 1. Scene 1. “È la Fede Delle Femmine” (Ferrando, Guglielmo, Don Alfonso) 1:23
26-5 Act 1. Scene 1. “Scioccherie di Poeti!” (Ferrando, Guglielmo, Don Alfonso) 1:20
26-6 Act 1. Scene 1. “Una Bella Serenata” (Ferrando, Guglielmo, Don Alfonso) 2:44
26-7 Act 1. Scene 2. “Ah, Guarda, Sorella” (Fiordiligi, Dorabella) 5:37
26-8 Act 1. Scene 2. “Mi Par Che Stamattina” (Fiordiligi, Dorabella, Don Alfonso) 1:11
26-9 Act 1. Scene 2. “Barbaro Fato!” … “Vorrei Dir, E Cor Non Ho” (Don Alfonso) 0:54
26-10 Act 1. Scene 2. “Stelle! Per Carità, Signor Alfonso” (Fiordiligi, Don Alfonso, Dorabella) 1:01
26-11 Act 1. Scene 2. “Sento, Oddio, Che Questo Piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) 5:47
26-12 Act 1. Scene 2. “O Cielo, Questo è Il Tamburo Funesto” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) 0:30
26-13 Act 1. Scene 2. “Bella Vita Militar!” (Chorus) 1:39
26-14 Act 1. Scene 2. “Non V’è Più Tempo, Amici” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Chorus) 0:36
26-15 Act 1. Scene 2. “Muoio D’affanno!” … “Di Scrivermi Ogni Giorno” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Chorus) 2:06
26-16 Act 1. Scene 2. “Bella Vita Militar!” (Chorus) 0:57
26-17 Act 1. Scene 2. “Dove Son? Son Partiti” (Dorabella, Don Alfonso, Fiordiligi) 1:03
26-18 Act 1. Scene 2. “Soave Sia Il Vento” (Dorabella, Don Alfonso, Fiordiligi) 3:15
26-19 Act 1. Scene 2. “Non Son Cattivo Comico” (Don Alfonso) 1:14
26-20 Act 1. Scene 3. “Che Vita Maledetta” (Despina, Fiordiligi, Dorabella) 1:03
26-21 Act 1. Scene 3. “Ah, Scostati!” (Dorabella) 1:19
26-22 Act 1. Scene 3. “Smanie Implacabili Che M’agitate” (Dorabella) 2:40
26-23 Act 1. Scene 3. “Signora Dorabella, Signora Fiordiligi” (Despina, Dorabella, Fiordiligi) 2:21
26-24 Act 1. Scene 3. “In Uomini, In Soldati Sperare Fedeltà?” (Despina) 3:11
27-1 Act 1. Scene 3. “Che Silenzio! Che Aspetto di Tristezza” (Don Alfonso, Despina) 2:46
27-2 Act 1. Scene 3. “Alla Bella Despinetta” (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina) 5:38
27-3 Act 1. Scene 3. “Che Sussurro! Che Strepito!” (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina) 2:36
27-4 Act 1. Scene 3. “Temerari…” (Fiordiligi) 1:44
27-5 Act 1. Scene 3. “Come Scoglio Immoto Resta” (Fiordiligi) 5:00
27-6 Act 1. Scene 3. “Ah, Non Partite!” (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi) 0:57
27-7 Act 1. Scene 3. “Non Siate Ritrosi, Occhietti Vezzosi” (Guglielmo) 1:42
27-8 Act 1. Scene 3. “E Voi Ridete?” (Don Alfonso, Ferrando, Guglielmo) 1:00
27-9 Act 1. Scene 3. “Si Può Sapere Un Poco” (Don Alfonso, Ferrando, Guglielmo) 0:56
27-10 Act 1. Scene 3. “Un’aura Amorosa Del Nostro Tesoro” (Ferrando) 5:13
27-11 Act 1. Scene 4. “Ah, Che Tutto In Un Momento” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso) 5:03
27-12 Act 1. Scene 4. “Ah, Che Del Sole Il Raggio” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso) 5:16
27-13 Act 1. Scene 4. “Eccovi Il Medico” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) 3:52
27-14 Act 1. Scene 4. “Dove Son? Che Loco è Questo?” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) 4:08
27-15 Act 1. Scene 4. “Dammi Un Bacio, O Mio Tesoro” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) 4:27
27-16 Act 2. Scene 1. “Una Donna A Quindici Anni” (Despina) 4:07
27-17 Act 2. Scene 1. “Questo è Ver” (Fiordiligi, Dorabella) 0:32
27-18 Act 2. Scene 1. “Prenderò Quel Brunettino” (Fiordiligi, Dorabella) 3:36
27-19 Act 2. Scene 2. “Secondate, Aurette Amiche” (Ferrando, Guglielmo, Chorus) 3:45
27-20 Act 2. Scene 2. “Il Tutto Deponete Sopra Quei Tavolini” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo) 0:56
27-21 Act 2. Scene 2. “La Mano A Me Date” (Don Alfonso, Ferrando, Guglielmo, Despina) 3:14
27-22 Act 2. Scene 2. “Oh, Che Bella Giornata!” (Fiordiligi, Ferrando, Dorabella, Guglielmo) 2:41
27-23 Act 2. Scene 2. “Il Core Vi Dono” (Guglielmo, Dorabella) 5:39
28-1 Act 2. Scene 2. “Barbara, Perché Fuggi?” (Ferrando, Fiordiligi) 1:38
28-2 Act 2. Scene 2. “Ei Parte… Senti… Ah No!” (Fiordiligi) 2:02
28-3 Act 2. Scene 2. “Per Pietà, Ben Mio, Perdona” (Fiordiligi) 7:48
28-4 Act 2. Scene 2. “Amico, Abbiamo Vinto!” (Ferrando, Guglielmo) 3:32
28-5 Act 2. Scene 2. “Donne Mie, la Fate A Tanti A Tanti” (Guglielmo) 3:43
28-6 Act 2. Scene 2. “In Qual Fiero Contrasto” (Ferrando) 1:45
28-7 Act 2. Scene 2. “Tradito, Schernito Dal Perfido Cor” (Ferrando) 2:31
28-8 Act 2. Scene 3. “È Amore Un Ladroncello” (Dorabella) 4:37
28-9 Act 2. Scene 3. “L’abito di Ferrando Sara Buono Per Me” (Fiordiligi, Ferrando) 1:05
28-10 Act 2. Scene 3. “Fra Gli Amplessi In Pochi Istanti” (Fiordiligi, Ferrando) 7:09
28-11 Act 2. Scene 3. “Ah, Poveretto Me, Cosa Ho Veduto!” (Guglielmo, Don Alfonso, Ferrando) 1:18
28-12 Act 2. Scene 3. “Tutti Accussan Le Donne” (Don Alfonso, Ferrando, Guglielmo, Despina) 2:07
28-13 Act 2. Scene 4. “Fate Presto, O Cari Amici” (Despina, Chorus, Don Alfonso) 2:06
28-14 Act 2. Scene 4. “Benedetti I Doppi Coniugi” (Chorus, Fiordiligi, Dorabella, Ferrando, Guglielmo) 5:48
28-15 Act 2. Scene 4. “E Nel Tuo, Nel Mio Bicchiero” (Fiordiligi, Dorabella, Ferrando, Guglielmo) 2:18
28-16 Act 2. Scene 4. “Miei, Signori, Tutto è Fatto” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina) 2:08
28-17 Act 2. Scene 4. “Bella Vita Militar!” (Chorus, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Don Alfonso) 2:23
28-18 Act 2. Scene 4. “Sani E Salvi Agli Amplessi Amorosi” (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina) 3:34
28-19 Act 2. Scene 4. “Giusto Ciel! Voi Qui Scriveste” (Ferrando, Guglielmo) 2:20
28-20 Act 2. Scene 4. “A Voi S’inchina” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, Despina) 3:31
28-21 Act 2. Scene 4. “Fortunato l’uom che prende” (All) 2:16
An Opera Souvenir: Documentary By Jon Tolanski
An Opera Souvenir
Chorus – New Philharmonia Chorus, Philharmonia Chorus
Conductor – Otto Klemperer
Interviewer – Jon Tolansky
Narrator [Documentary] – Jon Tolansky
Orchestra – New Philharmonia Orchestra, Philharmonia Orchestra
Producer [Documentary] – Jon Tolansky
29-1 Introduction: Overview And Background 6:35
29-1.1 Der Fliegende Holländer (Overture)
Interviewee – John Dobson
Composed By – Richard Wagner
29-1.2 Dance Of The Seven Veils
Composed By – Richard Strauss
Orchestra – Staatskapelle Berlin
29-2 Fidelio
Composed By – Ludwig van Beethoven
Interviewee – Anthony Tunstall*, Victor Godfrey, John Dobson, Jon Vickers, Christa Ludwig
22:48
29-3 Die Zauberflöte
Composed By – Wolfgang Amadeus Mozart
Interviewee – Victor Godfrey, Nicolai Gedda, John Dobson
11:04
29-4 Don Giovanni (Rehearsal)
Composed By – Wolfgang Amadeus Mozart
6:34
29-5 Der Fliegende Holländer
Composed By – Richard Wagner
Interviewee – Siva Oke
18:36
29-6 Cosi Fan Tutte. Final Opera Recording And Conclusion
Composed By – Wolfgang Amadeus Mozart
Interviewee – Victor Godfrey
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