Salve regina a 6[12’45]
1
Salve regina misericordiae[2’11]
2
Ad te clamamus[4’18]
3
Eia ergo, advocata nostra[4’26]
4
O clemens[1’50]
Missa Grecorum[34’23]
5
Kyrie eleison[1’11]
6
Christe eleison[0’43]
7
Kyrie eleison[1’16]
8
Gloria in excelsis Deo[4’32]
9
Qui tollis peccata mundi, suscipe[3’25]
10
Credo in unum Deum[2’37]
11
Et incarnatus est[1’49]
12
Et resurrexit tertia die[3’37]
13
Sanctus[2’36]
14
Pleni sunt caeli[1’25]
15
Osanna in excelsis[1’44]
16
Benedictus qui venit[1’55]
17
Osanna in excelsis[1’56]
18
Agnus Dei I[2’02]
19
Agnus Dei II[1’10]
20
Agnus Dei III[2’25]
Mater Patris / Sancta Dei genitrix[12’37]
21
Mater Patris, Nati nata[3’35]
22
Ab aeterno generatus[3’33]
23
Virgo mater, mater Dei[5’29]
24
Cuius sacrata viscera a 4[1’39]
O beate Basili / O beate pater[8’44]
25
O beate Basili / O beate pater[2’18]
26
O beate pater Basili[2’07]
27
O virum digne colendum / Invisit sanctus sanctum[4’19]
28
Agnus Dei[3’52]Anonymous – Renaissance
Stephen Rice and The Brabant Ensemble uncover more Renaissance treasures: Jacob Obrecht’s name may now be less familiar than those of some of his Flemish contemporaries, yet in his lifetime he was considered second only to Josquin.