Hespèrion XXI
Jordi Savall
Throughout the fifteenth and sixteenth centuries, as the new, centralized power of the absolute state was established in most European nations, royal courts all over Europe became the very heart of cultural and artistic life in their respective countries. They assembled an elite of aristocratic courtiers who were expected to master the principles of poetry, dance and vocal and instrumental music, as much as they were supposed to follow a strict and complex etiquette in all aspects of daily social interaction, adopt a luxurious and ever-changing fashion code, or sustain a refined conversation with a lady.
Folias Criollas
Folias Antiguas
Pavana Con Su Glosa (1557)
Fantasia Que Contrahaze la Harpa de Ludovico (1546)
La Gamba in Basso, E Soprano (1564)
Partita Sopra la Follia (1623)
Folias (A 3) Echa Para Mi Seã±Ora (1650)
Follia (1664)
Faronell’s Division (1684)
Folias (1674)
Sonate FüR Violine Und Basso Continuo D-Moll Op. 5 NR. 12 “La Follia”
Diferencias de Folias (1700)
Sonata “La Follia” (1704)
Folias Gallegas
Sonate FüR 2 Violinen Und Basso Continuo D-Moll Op. 1 NR. 12 RV 63 “La Follia”